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Angels in America

New Year's Eve lottery winner overturns culture cuts

A usually reliable source reports that the winner of the New Year's Eve lottery wants to dedicate a significant part of her prize to culture. In this way, she wants to undo the cuts made by Rutte I. Six million will go directly to the Dutch Travel Opera. Another four million is earmarked for a new integral performance of Wagner's Ring des Nibelungen. Also scheduled is a revival of Tristan und Isolde... 

The five shows you must see in March

1. Kwatta, Mariken (youth) The question was not whether Nijmegen youth theatre company Kwatta would ever venture into Mariken van Nieumeghen, but when. The bar was set high with successful previous book and film adaptations, but where the medieval Mariken needs two miracles, Jibbe Willems' adaptation is exciting even without a fall from a great height and the miraculous loosening of iron rings... 

The 10 theatre performances you wish you had seen in 2015

Although the supply has been declining for years, there are still more new shows than a person can see. So nobody sees everything, everybody misses a lot, which was the case in 2014. But these performances no one would have wanted to miss, even if two of them were not even seen in a theatre. And no dance, for that our partner was dance audiences this year too. #1... 

The five shows you must see in March

Theatre Group Oostpool, Angels in America (stage), playlist

To call the epic about America in the AIDS era a modern classic is an understatement. Since 1993, the play has been performed all over the world with great success. HBO turned it into a disappointing miniseries, Péter Eötvös a completely unsuccessful opera. Toneelgroep Amsterdam recently celebrated triumphs as far away as New York with a five-hour version stripped to the bone, partly prompting 'Meppel-gate'. Director Marcus Azzin has been waiting 20 years to give his vision of this theatrical epic, and at Oostpool he now gets the chance, with a cast that includes only top actors.

The five shows you must see in February

#1 Salzburger Festspiele / Schaubühne am Lehniner Platz / Katie Mitchell, The forbidden zone (theatre/performance) - Dutch premiere 11 February, Stadsschouwburg Amsterdam British director Katie Mitchell is this month's 'arsonist' at Amsterdam's Stadsschouwburg. With performances that are as scintillating as they are transgressive. The forbidden zone is about areas long off-limits to women: science and war. The... 

Copyright: Erik Bindervoet

The five theatrical performances you want to see in January 2015, and you already have to head back to the province

After the annual lists, the recommendations for the new year. All dailies participate in it. Problem: much is not yet known. Festivals and companies present their programmes sometime in February, March. So we cannot yet give the tips for the whole of 2015. But we do have the tips for the coming month, in chronological order, because ranking performances we still have to... 

Meppelgate! (2): Living in Meppel is also a choice.

You could wait for it. Meppelgate. Marieke Heebink, top actress with Toneelgroep Amsterdam, had the audacity to say in the newspaper that she is happy to be in a sold-out 'Angels in America' in New York. "Thank God I don't have to go to Meppel" she says. Aj. Aj. How dare she! That is guaranteed to generate angry reactions. And not just from Meppel.... 

Peter Eötvös writes DoReMi for violinist Midori

For years he was a conductor who also composed, but after operas such as Le balcon and Angels in America Hungarian Peter Eötvös (1944) is now a composer who also conducts. On Friday 21 February, he leads the Radio Philharmonic Orchestra in Vredenburg Leidsche Rijn in the Dutch premiere of his Violin Concerto No 2, DoReMi, which he composed in 2012 for Japanese violinist Midori. - I spoke to him last week.

5-hour marathon Roman Tragedies favourite with spectators Toneelgroep Amsterdam

We were somewhat mildly ironic about it, but hats off, meanwhile, to Toneelgroep Amsterdam's PR department and the audience, who responded remarkably well to the 'choose the reprise' campaign the company launched a few weeks back. We have the hard numbers we feared we would never see. And they are credible. We quote the press release: From 2 to... 

Top or flop: audience picks repertoire first theatre company in the Netherlands

We got another press release, and wondered: top or flop? How does idiosyncratic artistry rhyme with audience-determined repertoire choice? Andne: do all those people who chose the winning piece also get a free-or at least discounted-ticket to the performance of their choice? Andne: who checks the results, as there is no notary. Enne:. 

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