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Karl Ove Knausgard opens Writers Unlimited with strong appeal to individualism #wu15

"Everyone who writes will sooner or later run into a wall, a limit of what cannot, should not and should not be written. And almost everyone will flinch at that moment and refrain from writing it. Because that wall is there to protect us from what we don't want." Karl Ove Knausgård, already compared by some to Marcel Proust,... 

Debating reviews is pointless. Readers are perfectly capable of judging for themselves.

Art has rapidly become unimportant. Artists have been effectively dismissed by populists as subsidy-addicted scum. Media leaves no opportunity to downplay the consequences of the ensuing cuts. Putin is about to bring a third world war to Europe. In Amsterdam on Saturday, September 6, three of the Netherlands' last daily newspaper critics talk to artists about... 

Melle Daamen on @culturepress: 6 reasons why the arts debate in the Netherlands is so laborious.

I published two articles in NRC Handelsblad last year. The first (6 July 2013) was critical of government policy. There was little reaction to this. The second article (7 December 2013) was critical of the arts sector: it needs to make its own sharp choices. That did cause a stir, although I am convinced that many colleagues largely agree with the content... 

Art: alternative to mistrust and violence in Guatemala. #vvu

Theatre-maker Anouk de Bruijn (32) has been to Guatemala seven times since 1999. For the Treaty of Utrecht, she entered into an exchange project with the Guatemalan group Caja Lúdica. Together, they are committed to giving people a positive experience through art. Their project 'Hidden War' is about the lives of young people in Guatemala. 

'Community Art is Slow Art': Margreet Bouwman and Eugene van Erven on the Community Arts Festival 2013 #vvu

 Young people from Guatemala, nightingales from Northern Ireland and theatre-makers from the interior of Peru. Just some of the guests at the Community Arts Festival to be held in Utrecht in June 2013. Music, film and theatre with ordinary people behind and in front of the scenes, accompanied by professional artists. What else do they have in common?

Hearing sober prophet of doom John Gray speak is always a relief #WU12

In the late 1980s, John N. Gray (South Shields, 1948) adviser to Margaret Thatcher - Gray: "I was just a small mote of dust in her administration" - now he is a fierce critic of all things neoconservative. On Writers Unlimited, publicist Bas Heijne felt him out.

In How to be a dictator in Africa, writers Helon Habila and Dinaw Mengestu are remarkably positive about the future of their continent, despite the reservations of David van Reybrouck and moderator Andrew Makkinga.

Dinaw Mengestu shares his surname with the first name of one of Ethiopia's former dictators. "For now, I am a writer, but aspire to a career as a dictator," he says. Dictators do not arise in a vacuum, Mengestu argues. "We as citizens create our leaders," he says. In his recited story, citizens hand over all their dreams. They shift all their responsibility towards those in power. And. 

"The city's leading free spirits have discovered and embraced classical music, but on their own terms"

An alternative scene for classical events outside the ice palaces of classical music is growing. Last month, you could 'classical clubbing' at the Yellow Lounge at the Westergasfabriek venue. The club was sold out, indeed with a large

La Fin Du Western is screaming, stomping and spitting tirade against the absurd power struggle in Ivory Coast #dekeuze

"I love westerns," says one of the African players. "Because you always know how they end. Clearly. With only one winner." On the playing floor are four smoothly twirling, stomping dancing, trained performers from the Ivory Coast. They are a stark contrast to their co-stars: two lumbering, yoghurt-pale and uncoordinated German actors. The Africans speak French, the Germans mostly English. The... 

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