Quality. It is such a nice civil service-political magic word. Sounds good and nobody can be against it. So shout as a politician that you want more quality and all heads start nodding busily. State Secretary for Cultural Affairs Zijlstra also likes quality. Says he. For instance, when it comes to cultural education. In his memorandum More than quality, he says he wants to make work of the...
Gorkum - Culture sector is in dire straits (...) The major austerity exercise will come in spring when the new Culture Policy, among others, is on the table. (...) In the meantime, further consultations are being held with cultural bodies, among others, such as the Toon Foundation and the Nieuwe Doelen theatre on 30 January. "They, like the Gorcums Museum, can come up with innovative, cost-saving plans....
"Programmatic ingenuity goes hand in hand with Fischer's ebullient and finely crafted performances". So when someone says that about you, you have earned a prize. So that is what the jury of formerly the Classical Music Prize thought of Iván Fischer, the Hungarian-born conductor who was therefore awarded the 'Ovation' on Monday 17 October 2011. And so then the 'Ovation'...
"My commitment to the city (Rotterdam) and the orchestra knows no end," Valeri Gergyev spoke on the occasion of the Gergyev Festival taking place in Rotterdam this week. This is good news, as the Rotterdam Philharmonic Orchestra and the former principal conductor still get along well. And to be backed by this global top-five conductor is...
In the Netherlands, the view of opera is mainly guided by concert practice. As such, the Dutch approach to this genre differs considerably from what is common in the rest of Euroa. This is evident from the fact that over the past century, investments have been made in concert halls that are among the best in the world: the Amsterdam...
Russian conductor Valeri Gergjev was back in Rotterdam for a while, for one concert. He conducted his own orchestra, the London Symphony Orchestra (LSO), in de Doelen. The famous orchestra played repertoire that we in our country know inside out: Gustav Mahler's 1st symphony and Dmitri Shostakovich's 1st piano concerto. A now historic combination: because the Netherlands has become fused...
About a decade ago, on the main stage of Rotterdam's De Doelen concert hall, there stood a frail and still searching young woman, a singer-songwriter in a language other than English. Sometimes in Portuguese but mostly in the criollo of the Cape Verde islands, this Sara Tavares presented, with minimal accompaniment, her CD 'Mi ma bô' that would later give her international...
The Rotterdam Philharmonic Orchestra currently has an unprecedented luxury: it is releasing CDs on two labels at the same time. How is that possible? The orchestra signed under its own name with BIS Records, the label with which the eccentric owner Von Bahr releases one extraordinary recording after another, while chief conductor Yannick Néze-Séguin is old-fashionedly under contract as maestro with EMI....
The Rotterdam Philharmonic Orchestra is rated differently by conductors. Either you can get along with it and then it's a party, or it never becomes anything and then it stays at the occasional conducting session. Moreover, the musicians' enormous responsiveness is feared.
Fransz Litszt, born in 1811, explored every nook and cranny of the piano in his work, trying to incorporate every conceivable technique. As this contemporary of Carl Czerny, Niccolo Paganini and Richard Wagner was born 200 years ago this year, so there is a Liszt year. The Rotterdam Philharmonic Orchestra bit the bullet of that on Friday 28 January,...
Rotterdam - That every disadvantage 'hep' its advantage is often apparent with symphony orchestras. A principal conductor, for instance, is usually in charge of his own orchestra for no more than about 12 weeks a year. He divides the rest of his time among the other orchestras he is also already chief of. Yannick Nézet-Séguin, for instance, is now not only principal conductor of the Rotterdam Philharmonic...
Among lovers of the music of contemporaries Johann Sebastian Bach (1685-1750) and George Frederic Handel (1685-1759), the bickering is well comparable to that between supporters of Beatles and Rolling Stones. Bach is classical, Handel populist, Bach wrote lofty music, Handel flat-out , Bach was (barring his St Matthew Passion) succinct in his musical statements, Handel rambled on endlessly. And so...
American Davis Freeman's multimedia show 'Investment' is initially reminiscent of Al Gore's PowerPoint show 'An Unconvenient Truth'. Three performers and a projection computer show the audience a whole range of investment options in a very routine and detailed manner. Initially sensible and sustainable, but soon whole other motives come into play. Piquant detail: everyone from the...
By Willem Jan Keizer
Rotterdam - Thanks to conductor Valeri Gergyev, we get more insight into the huge reservoir of Russian composers. Rodion Shchedrin for example. Last year a piano concerto of his was performed, Sunday night in de Doelen it was his opera for the concert stage 'The Enchanted Wanderer', after the book 'The Enchanted Wanderer' by Nikolai Leskov. The opera is dedicated to conductor Lorin Maazel, who also conducted the premiere in New York in 2002.
By Willem Jan Keizer
Rotterdam - The fifteenth edition of the Gergjev Festival officially kicked off Friday evening in the presence of Her Majesty the Queen in concert hall de Doelen with a concert by the Rotterdam Philharmonic Orchestra conducted by Valeri Gergjev. Although the festival takes place at some 20 locations in the city - not only in de Doelen but also in the Laurenskerk, the conservatory, museum Boijmans van Beuningen and numerous other unexpected locations - the festival is virtually invisible in the city.
Image report: Ellen Segeren A few years ago, Greek-Dutch composer Calliope Tsoupaki wrote songs with piano accompaniment for Greek singer Nena Venetsanou. Some of these Tsoupaki arranged for the four brass players of the Rotterdam Philharmonic Brass Soloists and the four singers of the Egidius Quartet, whose tenor part is filled in for this occasion by Marcel Beekman. For him, Tsoupaki also wrote...
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