'I get up with you and I go to bed with you,' I said jokingly. We stood in his kitchenette, where he made coffee for himself and tea for me. Reinbert's big startled eyes told me that my ironic remark had landed in the barren soil of his deadly seriousness. - It was not the first and not the last
In 1988, Calliope Tsoupaki (1963) came to the Netherlands from Greece to study composition with Louis Andriessen. Exactly 30 years later, she was appointed 'Composer of the Fatherland'. In that capacity, she has already composed some highly topical pieces. When Notre Dame de Paris caught fire on 15 April, Tsoupaki immediately climbed into the pen. Five days later...
Recently, Kees Vlaardingerbroek, programmer of the NTRZaterdagMatinee published a plea against what he calls 'identity politics' in music. 'Bach was not a woman and not Western. So what?" reads the headline. In the subtitle, we read: 'If a composer is not a woman or Western, then it no longer fits into the classical canon.' Quite boldly put, because in any concert brochure you will find...
'Don't use drugs, listen to my music!' This is what Sander Germanus (Amsterdam, 1972) writes confidently on his website. Words you don't immediately expect from a composer of modern-classical music. After all, in this context, many think of incomprehensible 'plink-plonk' rather than mind-blowing sounds. A refreshing sound from someone who designed his own method of composition, so-called 'horizontal harmony'. Ehm... What should we...
Sounding Alchemy, is the name of the chunky volume recently published by music publicist Maarten Brandt (1953). It has 715 pages, including illustrations and an extensive index. In 98 articles, Brandt unfolds his views on music and music programming. He dedicated the beautifully designed book to his admired Marius Flothuis, programmer of the Concertgebouw Orchestra for many years. His heirs received a first copy during...
It is also never good or bad: the female composer is either ignored or arouses jealousy when her music is performed. For years, I felt my fingers calloused and talked my head off to put women composers on the map. I invariably came up against a wall of...
After years, my ranting about the invisibility of female composers is beginning to bear fruit. Thanks in part to the #MeToo movement, composing ladies are also finally being taken seriously and performed. The NTRZaturdayMatinee is even making them a spearhead of its programming this season. Last Saturday, it performed the world premiere of Salto di Saffo by Calliope Tsoupaki (1963). She composed this double concerto for pan flute, recorder...
In 2014, the world premiere of The Rise of Spinoza by Theo Loevendie received an enthusiastic reception at the NTRZaterdagMatinee. Rightly so, as Markus Stenz steered the Radio Philharmonic Orchestra, Groot Omroepkoor, vocal soloists and recorder player Erik Bosgraaf through the colourful one-act aptly. The live recording was recently released on CD, allowing the opera to reach an international audience as well. The now 87-year-old Loevendie...
Although the press picks it up only sparsely, not only the NTRZaterdagMatinee pays much attention to Dutch composers. Indeed, they are also well represented in the AVROTROS Vrijdagconcert (formerly De Vrijdag van Vredenburg). In 2014, for instance, Joey Roukens wrote The building of the temple to mark the reopening of TivoliVredenburg. Two years later, the season opened with Atlantis by Robin...
Amsterdam, 8 March 2018. Today is Women's Day, no one can fail to notice. The media are brimming with articles about women's unequal pay and their still limited representation in prestigious positions. Whether in politics, business, academia or the arts. Perhaps the most conservative is the classical music world. There, the female composer has yet to...
The most recent achievement of Russian-Swedish composer Victoria Borisova-Ollas (b. 1969) is Dracula. This opera based on Bram Stoker's book of the same name premiered at Royal Opera Stockholm in October 2017. A 'colourful and highly atmospheric musical score', it included 'one of the most emotional scenes in the history of Swedish opera', wrote one critic. Seven years earlier,...
When you go to a concert, you think about the music, the ensemble, the soloist and/or the conductor. Maybe you look up something about the composer but you never think about the programmer who made the concert possible. Astrid in 't Veld is someone who thinks about the range of concerts on offer years in advance in order to help you with...
Holland Festival
Amsterdam, 5-6-2013 - It is difficult to go uninhibited to a production that has already caused so much controversy as Sunken Garden by Michel van der Aa. This "first 3D opera" was slammed as "soporific" after its premiere at London's Barbican Theatre last April, but also hailed as "the future of opera".
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