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performance

Comedic and dramatic play in Mokhallad Rasem's experimental, surreal 'Iraqi Ghosts' #tf2010

by one of our members
11 September 201030 March 2022
4 min read
For members only, SPECIALS

In suits, wearing animal masks, five actors pose on stage. They represent a bear, rabbit, deer, rooster and monkey. From this 'freeze', they start making animal noises and moving around. A rhythmic performance follows. Fascinated, but confused, the audience watches the alienating dance. What do these animals have to do with the war in Iraq anyway? Just when you start to wonder if you are in the right audience, the actors take off their masks and answer: 'Have you ever wondered what the war in Iraq has meant to the animals there? We never hear anything about them in newspapers or on TV.'

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Performance 'Metro' gives you a slap in the face #amsfringe #tf2010

by one of our members
11 September 201029 March 2022
2 min read
ACTUAL, For members only

A new day, so new chances to find the Fringe's greatest gem. Today, I am taken from Theatre Bellevue into a nearby alley. Suddenly I see her lying there. A junk, like there are more walking around in Amsterdam. Preferably, I quickly walk around it. Afraid of smelling them or being accosted. Metro, a piece of...

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Fringe Festival continues to surprise with intimate Iris Brunette and poignant I Believe #tf2010

by one of our members
7 September 20108 July 2016
2 min read
SPECIALS

There is no notion of time when you take your seat. It is dark. The room looks like a café, with four tables and chairs around them. Don't expect a sit-back performance, as everyone is part of the play. The intriguing Iris Brunette doesn't let you be a spectator, but gives you a role. Do not fear that you will suddenly have to take the stage. From your seat, you are influencing the play. Actress Melanie Wilson lets you choose which way to go. Do we wait here or walk on? Do we go left or right? Do we trust this person or not? The space you're in feels safe. Fortunately. Because there is no exit; walking away is impossible. A maximum of twenty spectators witness this story that takes you through time. Wilson narrates and involves you in the story in the best possible way. A more intimate performance is hardly possible, I think.

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Stunning transformations by Shelley Mitchell in poignant monologue 'Talking with Angels' #tf2010

by one of our members
3 September 20108 July 2016
3 min read
SPECIALS

Invisible forces, described as angels, speaking through a Jewish woman to her friends at the time of the Holocaust in Hungary. A mysterious and true story, translated by American actress Shelley Mitchell into the one-woman performance Talking with Angels. A huge success in America. Yesterday on stage for the first time in the Netherlands.

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