Whereas in the West dragons are mythical creatures to be defeated, in the East they are the embodiment of joy, unlimited possibilities and destiny. People born in the year of the dragon (every 12 years with 2000 being the most recent adult generation) are proud, irresistible, vibrant and extroverted, according to Chinese astrology. Put seven on and...
The Ecstatic Truth, the new exhibition at Eye film museum about German filmmaker Werner Herzog, is as unapproachable as the man himself. In the huge space ( the room is about 700m2), there are large screens set up, and a few tables with objects. It is dark. Hardly any props, no costumes, nothing to distract from the man and his work. Uncompromising, and...
The dome of Artis Planetarium is made for stars; it is not a shiny Imax canvas. That the images in Coral: Rekindling Venus by Lynette Wallworth therefore do not splash off the screen is to be expected. Wallworth, a close friend and colleague of ANOHNI, is prominent at this year's Holland Festival and made Coral, Rekindling Venus exclusively...
ANOHNI lived in Amsterdam for a year as a young child, in Gerrit van der Veenstraat, formerly Euterpestraat. The street where the Sicherheitsdienst (SD) had its headquarters during the war in what is now a nice school with a focus on art. Opposite was the building from which Zentralstelle für jüdische Auswanderung organised the deportation of tens of thousands of Jews. The...
Heads fly together of practically educated old members of an association on the Weteringseplas where a driven entrepreneur comes to test floating homes, under local government siding with sustainability or the new money. On the car radio on the way to the performance, NPO Klassiek showed a Q&A with excellent biographer Sjeng Scheijen about choreographer Hans van...
The picture is immediate. Vast glaciated vistas, patches of fog and the twilight of a land where the sun rises only once a year. Something like that. And then that soaring music that in one long tone makes all air traffic redundant for at least a month. Beneath it the rumble of shifting earth plates. For the first time in 10 years, Sigur Rós made another...
Input from members: that's what drives this club. Just watch. Yesterday I wrote this piece: Jerome Bel is quite something. The man who identifies himself as a choreographer has banned himself from flying for sustainability reasons, which is why he could not come to Amsterdam from Paris to read his own autobiography. However noble the non-flying...
A TED Talk, but not 15 minutes as prescribed by that scattershot ideas organisation, but an hour and a half. In How To Live (After You Die), the monumental artist Lynette Walworth takes you through a story-with-light images about the temptations of sectarian faith, which, via the Amazon and the Outback, over Donald Trump and along the steppes of Mongolia, ends in the caves...
I can't resist mentioning it, because I think they were doing it for a reason, the dancers in the musical Wuthering Heights making really visible big rounds with their arms one time: this was a half-second reference to Kate Bush's world-changing 'windmill swings' in the music video to her legendary 1978 pop song. A subtle nod as in my...
What if 200 of the greatest thinkers and poets this planet has known in recent centuries were just one of us? An ordinary stranger on a bus, or your taxi driver, or a skater? Or a singing tiger in a supermarket? Julian Rosefeldt makes that thought audible, tactile and almost tangible in the mega-installation 'Euphoria' at the...
Laurie Anderson visited the Holland Festival for a third time and played to a sold-out Carré. With a five-piece Sexmob, a jazz combo from New York for the occasion, she performed well-known and lesser-known songs from her oeuvre spanning more than four decades. And every song felt like it was dear to her, with fresh, new arrangements of double bass and baritone ...
Well, Angela... this 'posthuman' play by German-British director Susanne Kennedy, now at the Holland Festival, aims to touch on many things: life & death, time & space, truth & fake. The play begins with a text running across the walls announcing that everything in this story is real, based on diaries and facts. Soon after, this statement becomes...
A word says more than a thousand images. This may seem strange in a world that thrives on visual culture, but it is a truism. If you have yet to see cows of all shapes and sizes, let the Holland Festival convince you. Yesterday, I saw the opening performance 'Drive Your Plough Over The Bones Of The Dead' and...
I saw Sid Vicious perform with the Sex Pistols at the illustrious Eksit in Rotterdam in 1977, more than 45 years later my teenage daughter toured Vicious's story in International Toneel Amsterdam's performance Hamlet and Ophelia. She still has a life to go, I immersed myself in memories. A (too long) look back According to the annals...
In his new, fifth novel, writer Stefan Popa (1989) returns to Romania, which previously served as the setting for his debut novel Vanished Borders. The novel's protagonist is a 'half-breed', just like the writer, but the other way round. While Popa, is a son of a Dutch mother and Romanian father, protagonist Alex Petrescu, on the contrary, has a Romanian mother and...
"Another happy day. He listens to me ...Another very happy day, he speaks to me." Life reduced to its essence, with Winnie towering womanishly above the human molehill for her final episode. Antoinette Jelgersma, in Happy Days under Erik Whien, portrays a more monty version of Winnie, one of the toughest stage roles, with a monologue sitting still...
We have a huge need for magic and a miracle in our time. Some people think you lose that when you grow up and/or have children, but nothing could be further from the truth, of course. And in case you had any doubts, I would wish that more theatre makers for adults would revisit the magic that you still had in your childhood...
When the difference between the performer during the performance and afterwards is at least a thick metre, you know you are dealing with a great artist. Australian dancer Olympia Kotopoulos is a great artist, because on stage she fills the space, while in real life she barely counts one and a half metres. Art is, literally, larger than life....
'Broos' opens as a kind of cruel game show, with lead actress Lottie Hellingman in the middle of the stage, sitting on a chair above which hangs a large, grey rock. "I took happiness for granted," she begins resignedly. Hellingman's words are by director Madeleine Matzer. She wrote them down for 'Broos' after hearing a mother of a 17-year-old daughter with Down syndrome say
I had to think for a while before I wrote something about the Hamlet performance that is now showing to an audience of mostly high school students in Amsterdam West. That was because I was sitting in the auditorium, on a legendarily uncomfortable stand in a fine fringe breeding ground, among a schoolchildren's audience that sat watching in full attention for almost two hours, while at...
Sometimes a festival only really begins after the halls have emptied. Red threads become visible, themes buzz after, research continues, archives are unlocked. What struck me about the nineteenth, somewhat smaller edition of Cinedans is that there was a lot of work on the vulnerability of the body. Not surprising after a pandemic, during a war and with an even more...
The Kaboom Animation Festival 2023 opened with an audiovisual walk. With two hundred fans past animation films on walls around the city.
Just before the end of the performance, one of the musicians steps forward, whereupon a colleague tells him: he is dying soon, metastatic bladder cancer. Whereupon the victim confirms the doom himself. Who gets to sign off on this apotheosis we will leave in the middle because of the spoiler. The crazy thing is, no terrible shockwave goes through the well-filled...
Toneelgroep Maastricht has created a contemporary version of Anton Chekhov's The Cherry Garden. The edgy actors, starring Anniek Pheifer as Lyuba, make the show a comedy, but the tragic elements are not ignored.
Het Houten Huis, a youth theatre company from Groningen, portrays the issue of bureaucracy in healthcare in a poetic and moving way with the performance 'If it goes differently'. This performance demonstrates that art is a powerful tool to raise important social issues and thus contribute to a more inclusive and just society.
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