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'You don't know where you stand.' Non-visitors of theatre make it clear where art goes wrong

The vast majority of Dutch adults never go to the theatre. Interestingly enough, the question among theatre people is never really about why people don't go to the theatre. After all, our arts sector is a supply market. At an art school, you are not trained to please the public, but to express your most individual emotion. And then preferably... 

PODCAST: Joseph Toonga at Theatre Festival Boulevard: 'My daughters help me bring empathy to Hiphop' (English)

This podcast is recorded in English. For those who do not speak the language, or who do not have time to listen to the full podcast, here are some quotes. 'Originally I didn't have a title. Someone came up with 'Born to' and then I thought it would be nice to put 'manifesto' after it. After all, it is about appearing,... 

Boulevard experiences second Corona edition: 'It's organising a festival in the middle of a natural disaster. Nothing is business as usual'

Theatre festival Boulevard is going ahead this summer, just like last year. Everything is adapted to 'corona': safe at one-and-a-half metres, placarded, with registration for catering, but still just about a hundred performances. In this podcast, I speak to Nina Aalders and Tessa Smeulers, responsible for Boulevard's programming. They remained at the helm after the much-loved and... 

Presenter Harm Edens wrote a book about his childhood: 'I always felt like an outsider'

He is known as a writer of comedy series, such as SamSam and Het zonnetje in huis, and as presenter of the satirical TV programme Dit was het nieuws. But during Harm Edens' (59) youth, there was little to laugh at. 'Even though the whole country claps for you, if your parents don't, it's still a loss.' The 'intelligent lockdown' was last... 

At Giselle Vienne's L'Etang, I feel again what I have been missing all this time.

England is closed. The culture minister happily reports that artists can tour Europe again, as long as they do not go outside Norway, Iceland and Liechtenstein. We've always taken an ambitious approach in negotiations on touring artists, including in my meeting with @AbidRaja last month. Delighted that our new trade deal with Norway, Iceland and Liechtenstein will allow musicians, performers... 

Rarely have I experienced a historical book that is so accessible and so imaginative

With journalist Bianca Stigter's book Atlas of an occupied city, you walk through today's reality, as it were, with historical virtual reality glasses on. An extra layer appears over the familiar backdrop of Amsterdam's streets: of World War II occupation. What wartime past is hidden in the streets and behind the facades? Atlas... 

Between heaven and hell: Frank Westerman on our fascination with the cosmos

At the time Covid-19 flattened normal life, Frank Westerman had fortunately already done his research for his new book. To take care of his parents, he was suddenly living 'at home' again for three months, in his boyhood room on the outskirts of Assen. Writing offered him the chance to escape to heavenly realms: Cosmic Comedy is about the human... 

In the UK, a huge outflow of self-employed people from the cultural sector is looming. What about here?

That they came up with a one-and-a-half billion support package for the arts in Britain last month seemed like very good news for a while. For a country of almost 67 million people, such a rescue package, which also consists of three quarters of loans and advances, is proportionately much smaller than what there is in the Netherlands in terms of support for the arts. How keen... 

'Living with others is hard.' French writer Leïla Slimani on identity, roots and the feeling of not belonging anywhere

Following the publication of social science books such as In the Garden of the Beast, Sex and Lies and the Prix Goncourt-winning novel A Soft Hand, French-Moroccan writer Leïla Slimani (39) has become an important voice in French literature in recent years. She was appointed ambassador of French language and culture by President Macron and by the... 

The Encounter, Complicit / Simon McBurney, photo: Alex Aitchison

Why you should listen to Simon McBurney with headphones on between 15 and 22 May

We are fairly bombarded to death with online theatre experiences. Frankly, I avoid them. I always thought theatre was something to be experienced live. Bobbing shoes are terrible, visible consumption when speaking is something I can't stand at the moment and the sound is always mediocre. I want live theatre, and nothing else. Leave TV to the TV makers, they have studied for that. Still... 

Anfield's best pasties work against degradation. (Lessons from Manchester, episode 4, the Liverpool edition)

There is something incredibly cosy about it. While outside the storm is howling through deserted, boarded-up shopping streets full of demolished mini houses, baking pasties against the malady. But so it does work. On the side of The Kop, the most famous stand at the Anfield stadium on Liverpool's Oakfield Road, Dutch artist Jeanne van Heeswijk established a neighbourhood cooperative in 2012, when megalomaniacal urban renewal plans... 

Investing in culture is pointless if you can't think ten years ahead. (Lessons from Manchester, episode 3)

When a Dutchman thinks about art, he thinks of buildings that cannot support themselves, played by, or hung with work by, people who cannot sustain themselves. So money must be added, and we call this subsidy. In this way, art subsidies become a suspicious form of welfare, more suspicious than the billions in income support that wealthy... 

Hide the books, if you want people in the library. (Lessons from Manchester, episode 2)

A real estate agent once confided in me that a bookcase in the living room saves thousands of euros in the resale value of a house. In a negative sense. This fact always does well at parties, and book lovers (my network is full of them) grudge it. On a tour of Manchester Central Library, the head librarian proudly told us that the café... 

'Millions still watch the BBC' (Lessons from Manchester, episode 1)

Travelling makes you a better person. Everyone thinks so, and it is a great favour to be able to travel. A privilege to be able to do it. If you go to England by train, the last few minutes before you disappear under the Channel at Calais, you see more and more fences appearing. And we are not talking about the average... 

Better late than never. Employers in the creative sector are asking for an extra 100 million. And counting.

While I was walking around Manchester with some cultural sector leaders, minister Ingrid van Engelshoven sent a letter to the House, telling it how much it would cost to enable state-subsidised arts organisations to get fair pay at the current offer. So that letter contained quite a few omissions: the minister was silent on the role played by regional and... 

Conductor Elim Chan: 'I can't walk away from the music.'

'When I unexpectedly had to conduct the "Dies Irae" from Verdi's Requiem Verdi, I felt how raw and impactful music could be. I knew immediately: I can no longer run away from music.' Elim Chan is moving like a rocket and will make her debut with the Netherlands Philharmonic Orchestra on 17 January. In 2014, Elim Chan (Hong Kong, 1986) was the first female... 

'Wikileaks has never been caught at a single fault' - Iris ter Schiphorst writes Assange: Fragmente einer Unzeit

'There is an information war going on right now, which shows how important data is. The Assange case is the most poignant example of this.' Dutch-German composer Iris Ter Schiphorst wrote a piece about Julian Assange, the now controversially declared founder of Wikileaks. She is on a mission with this: 'Although Wikileaks has never been caught at a single fault, Assange has been accused of... 

Bring on that fair! 7 established facts that make an ever-younger festival Boulevard unique.

Theatre Festival Boulevard is a highlight of the festival summer every year. Because there are no barriers and because it carries the casual atmosphere of the city in every fibre. But it goes even further. Here are my seven learning moments: 1: Boulevard is more accessible than the city itself Some people find it verging on the hysterical, but... 

In the greatest spectacle, ultimately the smallest detail touches your heart (which is why The Head and The Load had to be the royal opening of the Holland Festival).

Some stories are too big to tell. Too big, but no less important or true for that. Like the story of the millions of Africans who died in World War I in the service of the warring factions there: Britain, France, Italy and Germany. No one knew that last story. At least, nobody I knew knew about it, and neither did I myself. It... 

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