This week, Fonds Podiumkunsten and the Province of North Brabant announced that Theatre Festival Boulevard will also receive subsidies for the next four years. On Wednesday 3 July, the Performing Arts Fund issued its advice on national cultural subsidies for the period 2025-2028. Theatre Festival Boulevard is extremely proud of the Fund's positive advice. Thank you to the committee who gave us...
Theatre Group Alum welcomes the many newcomers in the new Arts Plan. That this is at the expense of Aluin, among others, we find surprising and of course very unfortunate. Of course, we can now report on our bewilderment at so much injustice but, after all, getting a subsidy is not a right. Although it sometimes feels that way when you have so many talented...
Delft Fringe Festival receives positive advice for policy period 2025 - 2028 by Fonds Podiumkunsten Delft, Thursday 4 July, 2024 - On Wednesday 3 July, the opinions of the Council for Culture and the State Cultural Funds were published. Delft Fringe Festival received a positive advice for the policy period 2025 - 2028 by Fonds Podiumkunsten. This means a four-year grant award....
Today, completely unexpectedly, dance company de Stilte received a negative opinion from the Youth Performing Arts Committee of the Council for Culture. From January 2025, the company will no longer receive a subsidy from the Ministry of OC&W. Like a bolt from the blue, the assessment fell on the mat. In 2023, the company still had a positive monitor interview with the Youth Performing Arts Committee in which...
On Wednesday 3 July, the Performing Arts Fund will present its decisions on applications for multiannual grants for the period 2025-2028; 52 festivals and 127 companies, makers (collectives) and ensembles will receive an award for multiannual support from the Fund. The annual total is €7.3 million and €40.2 million respectively. The Fund thus invests in making topical and distinctive...
Raoul Steffani is the brand new winner of the Dutch Music Prize. The prestigious prize is the highest award bestowed by the Performing Arts Fund, on behalf of the Ministry of Education, Culture and Science, on a musician working in classical music. The prize will be presented by State Secretary Gunay Uslu (Culture and Media) on Friday 13 October in Muziekgebouw aan 't IJ....
On Tuesday 21 February, Italy launches FuturoPresente, a year-long international programme that puts the spotlight on contemporary Dutch youth arts. This programme is an initiative of the Dutch Foundation for Literature, the Performing Arts Fund, See NL, the Cultural Participation Fund together with the Dutch embassy and consulate general in Italy. A selection of Dutch theatre makers, writers, illustrators, choreographers and...
Before, when I used to write about theatre for a national morning paper, my travel schedule was partly determined by the reach the paper had in a particular region. So, if I necessarily wanted to write about a theatre performance in Enschede, about Enschedean states, my chief's question was: how many subscribers do we have in Twente? So usually it didn't get there
It all goes into effect only in 2023, at the earliest, but the first gusts of fresh wind blowing through the Performing Arts Fund are stirring the treetops. Under new director Viktorien van Hulst, the Fund wants to put an end to the many subsidy schemes that in recent years, under the guise of 'customisation', have become a bureaucratic jungle...
Pure panic and existential angst: that's the picture you get when you approach makers in the arts personally about the effects of trickle down (the trickle down of corona funding from the government to those makers). The Creative Coalition may be making a fist for them, talking to the minister about it, the institutes debating it, but the creators are silent....
Theatre festival Boulevard is going ahead this summer, just like last year. Everything is adapted to 'corona': safe at one-and-a-half metres, placarded, with registration for catering, but still just about a hundred performances. In this podcast, I speak to Nina Aalders and Tessa Smeulers, responsible for Boulevard's programming. They remained at the helm after the much-loved and...
Whether we want to speak only of 's-Hertogenbosch from now on. Apparently, a last vestige of decency has bravely survived in the provincial capital of Brabant. Nazmiye Oral, master of ceremonies at a party at Den Bosch's citadel on 9 June, forgot right the first time. City marketers and old nobility fight hand in hand for a respected name to trump the vernacular....
'To strengthen the position of self-employed workers, a regulation could be revisited that would make it easier to enter into several short-term contracts throughout the year with interim retention of benefits.' There is a lot of useful stuff in the Culture Council's advice published today, but this sentence made me the happiest. Not so happy yet...
Is the government generous and generous for once, it's no good again. You could say that after I received questions from various quarters about the corona grant for free productions announced by the Performing Arts Fund last week. The amount in question is €27 million, for a total of 251 producers, so an average of a tonne per application. With that...
After more than six years as director, Viktorien van Hulst is leaving Stichting Theaterfestival Boulevard 's-Hertogenbosch and Stichting Bosse Nova. She will start on 1 July as director-director at the Fonds Podiumkunsten, where she will succeed Henriëtte Post. The Performing Arts Fund supports all forms of professional performing arts on behalf of the central government and has an annual budget of 62 million euros available for this purpose. Peggy Olislaegers...
On Friday 12 February 2021 from 12:00-17:00, the Amsterdam Museum, together with its various partners, is organising the Refresh Symposium on the Amsterdam art climate. A symposium in which makers such as Bas Kosters, Massih Hutak and Raquel van Haver together with representatives of cultural institutions such as NDSM-werf, AFK and Amerpodia will critically examine the art climate in the city. The symposium...
The awarding of the Boyer Trophy took place at Theater Bellevue in Amsterdam during A Theatre Author Thing You Must Attend, following the Boyer Lecture organised by the Authors' Union, which this year was delivered by Jetse Batelaan.
Strictly speaking, prioritisation is another word for wielding a saw line, but it feels different. 'Prioritisation within the applicable criteria', as stated on the site, smacks of possible arbitrariness, as nowhere is it indicated which criteria were given how much weight.
The total of eight festivals that were given a place in the Basic Cultural Infrastructure thanks to vigorous political lobbying are in the clear. They do not benefit from the extra millions released by the Cabinet on Budget Day to rescue the Performing Arts Fund, because they are not (or no longer) covered by it.
The hybrid German-English model combines the best of three worlds. But it also involves major changes. Artists will no longer all live in Amsterdam, but in one of eight or 10 urban cultural regions.
As this is D66 culture minister Van Engelshoven's presumably last budget year, the press release once again emphasises that a total of 95 million extra has now come into the culture budget during her tenure. It is too early to draw far-reaching conclusions.
How nice it would not be if the Culture Council really 'got its hands on' supporting freelancers and self-employed people! There is an opportunity.
The cultural centre of gravity in Limburg has been in the south for years. However, to encourage southern institutions to programme outside the region, only 1 extra point is available. Examples of the problem of geographical spread also exist at the Council of Culture and the Performing Arts Fund.
The VVD will not give away Mark Rutte's latest crown jewel, the arts subsidy cut, for free. The latest argument: suction effect.
A fire letter from the United Performing Arts Festivals. One of more than a hundred lobbying organisations in the arts, but a very important one. After all, the festivals are the place where audiences were introduced to arts and entertainment in its full breadth. That doesn't happen anywhere else. And beautiful: they stand up for all performing arts, because, as loyal readers of this site know: they are quite the hare, and become even more the hare with every half-hearted rescue.
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