Today in Trouw a few useful tips to culture bringers. They are responses to the reader question from a few days back, about why the halls remain empty in our museums, concert halls and theatres. Five responses are included, and each one is excellent. They also show something, and that is that the eagerness, with which the halls are vacated by the directors...
The cultural field, like everyone else, is deeply shocked by developments in Ukraine. We are deeply concerned about the impact of the large-scale hostilities in Ukraine on the people of the country. To show solidarity and to express sympathy and support, the cultural field is organising the #♥rtforUkraine campaign next weekend 4, 5 and 6 March 2022 with...
While in most countries in Europe, cultural life is already well underway, Dutch audiences still have to wait for full-fledged programming of concerts, film and theatre performances, festivals and night culture. Great is the desire, gone is the mental stretch. The new cabinet presented a glimpse of its new strategy. But the most important thing of all is missing: a...
Today, the Cultural and Creative Sector Taskforce sent yet another letter in draft form to the ministry of OCW. In it, the assembled umbrella of all creative and cultural organisations reiterates its earlier criticism of the relaxation of coronagraph measures, which brings no relief to the cultural sector and nightlife in particular. Special attention is given to DJs and...
Today, the Cultural and Creative Sector Taskforce presents its Opening and Recovery Plan to the cabinet and the House of Representatives. The aim is a predictable and careful corona approach for audiences, creators and cultural organisations. An approach where the policy reflex is no longer 'closing', but 'staying safely open'; an approach with prospects for recovery. In the plan, the Taskforce makes six proposals to...
No one understands yet why the theatres, museums and concert halls have to stay closed, while shops and contact professions are back in full swing. And rightly so: we all want a normal life again, going to the movies together, dancing at a cool concert, and strolling past art in a museum. We need relaxation. However, there is also a downside to this...
I suspect that the decision to keep the museums, concert halls and theatres closed, while sports and Bijenkorf can open, was not born out of cultural hatred. A year ago, I would have doubted it. Now it is clear that those of you from the OMT do not actually want relief at all, but want to curb the biggest threat of civil disobedience. Sportsmen and middle-class people are more likely to throw...
The Cultural and Creative Sector Taskforce calls on the government to adopt consistent policies across sectors and assumes that: - now that commercial flow-through venues (such as the Bijenkorf) are reopening, cultural flow-through venues such as museums, monuments and presentation institutions can also open their doors. - now that indoor sports are possible again, active arts and culture will also be possible again. This...
The virus may be unpredictable, but how we respond to it need not be. The Cultural and Creative Sector Taskforce calls on the government to quickly come up with a predictable government strategy aimed at different stages of the pandemic. Indicate at which corona signal values restrictive measures for the cultural sector come into effect or can be lifted. Link...
'If you introduce a lockdown, do it at places where many infections take place. In fact, due to careful compliance with the Corona Entrance Ticket (CTB) in theatres, concert halls, museums and cinemas, there are few infections there. So targeting that measure precisely at the cultural sector is going to make little difference. Bite through precisely where the risks are highest...
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