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Boulevard experiences second Corona edition: 'It's organising a festival in the middle of a natural disaster. Nothing is business as usual'

Theatre festival Boulevard is going ahead this summer, just like last year. Everything is adapted to 'corona': safe at one-and-a-half metres, placarded, with registration for catering, but still just about a hundred performances. In this podcast, I speak to Nina Aalders and Tessa Smeulers, responsible for Boulevard's programming. They remained at the helm after the much-loved and... 

Read More "Boulevard experiences second Corona edition: 'It's organising a festival in the middle of a natural disaster. Nothing is business as usual'

OFFICIAL 2021 DUTCH DRAMA JURY SELECTION IS KNOWN!

From Thursday 2 to Sunday 12 September 2021, the Netherlands Theatre Festival will show the best productions of the past theatre season. The Netherlands Theatre Jury, headed by jury president Hadassah de Boer, selected the eight best theatre productions of the moment. Today, the jury announced its selection. The full selection can be seen during the upcoming edition of the festival 

Read More "OFFICIAL 2021 DUTCH DRAMA JURY SELECTION IS KNOWN!

A new layer of management is not going to solve Theatre Rotterdam's problems

Rotterdam and theatre, quite tricky. I should know, I was born there and it was a subject of several working groups during my Theatre Science studies in the 1980s. Since the last theatre reform, a merger in which independent performers would work together to provide all the special theatre in Rotterdam, but... 

Read More "A new layer of management is not going to solve Theatre Rotterdam's problems

Mailles remains in the Holland Festival a closed oyster that does not reveal its pearl.

Something about roots, and that they are cut off and that this is inconvenient. Or not, because it gives freedom. Something about men and women, but what exactly didn't quite become clear in Mailles, which I got to experience at the Holland Festival on Thursday 10 June, after another curious test-for-access episode. The great hall of the building that I just don't... 

Read More "Mailles remains in the Holland Festival a closed oyster that does not reveal its pearl.

Theatre festival Boulevard changed the DNA of Den Bosch, even the Netherlands

Whether we want to speak only of 's-Hertogenbosch from now on. Apparently, a last vestige of decency has bravely survived in the provincial capital of Brabant. Nazmiye Oral, master of ceremonies at a party at Den Bosch's citadel on 9 June, forgot right the first time. City marketers and old nobility fight hand in hand for a respected name to trump the vernacular.... 

Read More "Theatre festival Boulevard changed the DNA of Den Bosch, even the Netherlands

Between heaven and hell: Frank Westerman on our fascination with the cosmos

At the time Covid-19 flattened normal life, Frank Westerman had fortunately already done his research for his new book. To take care of his parents, he was suddenly living 'at home' again for three months, in his boyhood room on the outskirts of Assen. Writing offered him the chance to escape to heavenly realms: Cosmic Comedy is about the human... 

Read More "Between heaven and hell: Frank Westerman on our fascination with the cosmos

Milo Rau at opening Theatre Festival: 'Maybe we should deliver a little less and listen a little more'

Things need time and distance to become a story. Good, then, that in his 'State of Theatre,' the traditional opening of the theatre season, Rau did not take the floor himself, but handed it over to people who are now in the midst of the confusing time of austerity, coronasteun and political turmoil. Because the 100 international makers he asked for a book entitled "Why Theatre?" could not come because of the pandemic, six Dutch makers were invited. 

Romana Vrede, Photo: Bas de Brouwer

The three-quarters empty hall gives more intimacy than a full hall. HNT always plays; warming and confusing

What impressions, what images stick? Why am I enjoying this so much? The performances during the corona crisis deliver great gratitude: that I get to experience this, that actors, writers, directors and collaborators are faithful to perform for me for weeks or even months on end. The declaration of love is mutual.

Vincent Wijlhuizen is working on a coronaproof What You See Festival: 'a very large group of people are now much less visible.' 

Immediately after the lockdown was declared in March 2020, Vincent Wijlhuizen, co-founder (along with Annette van Zwol and Ieme Soes) and director of the What you See Festival, set to work to come up with alternatives for the festival, which takes place in the autumn. 'We made several plans. We already had an ordinary plan, which went to all the funds... 

Read More "Vincent Wijlhuizen is working on a coronaproof What You See Festival: 'a very large group of people are now much less visible.' 

Beumer&Drost presents theatre thriller 'Murder on the Wega' (based on the recently discovered 1937 book by Marten Toonder)

On 24 to 28 June and 2, 3 and 4 July, at Theater Bouwkunde in Deventer, you will enjoy a unique and intimate theatre experience: While enjoying a drink, seated 1.5 metres away from each other and from the actors, Peter Drost and Paul R. Kooij perform all the roles in this classic whodunit. Peter & Paul 'young men' in front of your eyes,... 

Read More "Beumer&Drost presents theatre thriller 'Murder on the Wega' (based on the recently discovered 1937 book by Marten Toonder)

Oui-Ja-Yes for more Games on stages. Before and-especially now-after the stage.

What is the similarity between recorder player Lucie Horsch, pianist Nynke Eekhof, oboist Dorine Schoon, singer Tim Akkerman, this Music Storyteller and many others. What binds them apart from the music? They open their mouths. Give an insight into life behind the scenes. By speaking out in newspapers (Eekhof and Akkerman), on platforms, within organisations and via blogs... 

Read More "Oui-Ja-Yes for more Games on stages. Before and-especially now-after the stage.

The lobby has made art just a little too big. Now populism is reaping the benefits of that.

Naturally, I stand speechless along the sidelines watching Dutch art get hit by a 'perfect storm'. Two, maybe three deep depressions crossing each other at the worst possible moment, creating a surge that sinks even the strongest ships. In this case: an extremely weak minister, a cultural sector divided to the bone ... 

Read More "The lobby has made art just a little too big. Now populism is reaping the benefits of that.

'Bring all the venues in Amersfoort together in one management group.' Bernard van Gellekom has an unorthodox vision of cultural survival at the time of Corona.

'If you can put only a quarter, or even less, in a hall that normally holds 600 people, then the tickets do become very expensive, because your costs don't change. Then my popular heart starts beating again: should we really want something so elitist?' Bernard van Gellekom is an important figure in the Amersfoort pop scene. In his home... 

Read More "'Bring all the venues in Amersfoort together in one management group.' Bernard van Gellekom has an unorthodox vision of cultural survival at the time of Corona.

This is the ticket scheme. We share the official FAQ.

We take a post from the site 'Cultuurmarketing.nl', adding that the main purpose of the scheme is also to compensate the creators, the performing artists. So don't think: "my theatre gets subsidy, right?", because that subsidy is usually just enough to pay the rent. Performances are almost always paid for directly from ticket sales: Comin' To... 

Read More "This is the ticket scheme. We share the official FAQ.

Culture ministry's support package is a joke. Why a culture strike is needed. And easier than ever.

Slowly but surely, the absurdity of the rescue measures for the cultural sector is sinking in. The national museums will not have to pay rent for three months for a while, but will have to pay it back retroactively once the crisis is over. Entrepreneurs can get extra support worth 4,000 euros, provided they have business premises outside their homes. Actors, directors (also freelance journalists, by the way) and artists... 

Read More "Culture ministry's support package is a joke. Why a culture strike is needed. And easier than ever.

Tears and pancake flour - Noël Fischer a week after Trojan Wars cancellation

Director Noël Fischer, artistic director of HNTJong, Het Nationale Theater's youth club, learned a week ago just before the first try-out that she and Trojan Wars would not be allowed on stage for the try-out, nor for Saturday's premiere. No ordinary performance but a marathon performance with three parts, with fodder for the mind (music) and the... 

Read More "Tears and pancake flour - Noël Fischer a week after Trojan Wars cancellation

Netherlands Wind Ensemble launches second tour of The Unknown Chaplin an ode to Chaplin's artistry, with newly composed music

After its successful tour last November, the Nederlands Blazers Ensemble will tour again with The Unknown Chaplin. The second tour - from 3 March to 22 March - will take in venues in Ede, Helmond, Tilburg, Den Haag, Amersfoort, Enschede, Amsterdam and Rotterdam. www.nbe.nl/programma/the-unknown-chaplin/ Six hilarious, humorous and melancholic silent films by the great universal genius Charlie... 

Read More "Netherlands Wind Ensemble launches second tour of The Unknown Chaplin an ode to Chaplin's artistry, with newly composed music

Serge van Veggel performs Opera Melancholica: 'Depression is a big social problem - a million people are on pills'

'My love for opera is rooted in my youth. Emotions you feel as a young person become almost tangible in opera. While listening, I often experienced a catharsis.' Director Serge van Veggel zooms in on depression and delusion with the production Opera Melancholica. Starting point is Philip Glass's The Fall of the House of Usher, presented as a form of 'anatomical... 

Read More "Serge van Veggel performs Opera Melancholica: 'Depression is a big social problem - a million people are on pills'

Ekaterina Levental: 'I come from the very bottom of society, didn't even have the right to be here, was even less than a junkie.'

Singer, harpist and theatre-maker Ekaterina Levental (Tashkent, 1977) came to the Netherlands as a refugee in 1993, where she built a successful career. Together with her partner Chris Koolmees, she made the triptych De Weg, De Grens and Schoppenvrouw, in which she sings of her own difficult road to happiness. With her pocket performances, she holds up a mirror to us: 'We are quick to judge a... 

Read More "Ekaterina Levental: 'I come from the very bottom of society, didn't even have the right to be here, was even less than a junkie.'

Why a sooty coat should always be explained. (Without tour guides, ushers and interpreters, art loses any raison d'être.)

Art has always needed explanation. Even 'easy' art, even 'art that sells itself'. Art has needed that explanation ever since the first caveman found out that her sooty smudges on the cave wall looked very much like a bison. Actually, this is why it is wrong to speak of 'explanation' and 'need'. Art and story are one, since the... 

Read More "Why a sooty coat should always be explained. (Without tour guides, ushers and interpreters, art loses any raison d'être.)

Why the magnificent annual figures of the theatre and concert hall managements make it clear that the system must be turned around. 

Things are once again going insane for Dutch theatres and concert halls. Every year, the directors, gathered in the VSCD, manage to come out with truly fantastic figures in the autumn. This year too, the cheers are unrelenting. Everything is growing. The number of jobs, and the number of volunteers, for example. (both up by 3% in... 

Read More "Why the magnificent annual figures of the theatre and concert hall managements make it clear that the system must be turned around. 

Boulevard opens with great ambition. It will be exciting regardless.

The Theater aan de Parade is slowly but surely starting to become the blot of cultural politics in Den Bosch. The outdated theatre has too low ceilings, too much plush, asbestos and past to still be a credit to the Brabant provincial capital. Viktorien van Hulst, director of the now 35-year-old Theatre Festival Boulevard, made a point of saying during her opening speech on 1 August that the... 

Read More "Boulevard opens with great ambition. It will be exciting regardless.
Antony and Cleopatra, Tiago Rodrigues. Photo: Magda Bizarro.

'I have no problem at all if spectators want to see Anthony and Cleopatra. But for me, it's about something else.' Tiago Rodrigues writes theatre for dancers.

Anthony and Cleopatra is exactly the kind of repertory piece that people look forward to during the Holland Festival, or any other prestigious stage. Director and writer Tiago Rodrigues manages not so much to deflate that grandiose expectation as to reduce it to the intimacy of a duet and a play with extremely basic theatrical gestures. His two actors are dancers, an experienced choreographer duo 

Read More "'I have no problem at all if spectators want to see Anthony and Cleopatra. But for me, it's about something else.' Tiago Rodrigues writes theatre for dancers.

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