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Tirza opens 30th edition Dutch Film Festival - actors in the spotlight

By Leo Bankersen

Film acting is in the special spotlight during the 30th edition of the Netherlands Film Festival. So that's convenient that the Festival opens tonight with Tirza, a story that is too gruesome to be true, but which, thanks to the acting of Gijs Scholten van Aschat, Sylvia Hoeks and Johanna ter Steege, among others, you have to believe anyway.

Rudolf van den Berg single-handedly reworked Arnon Grunberg's book, about Jörgen Hofmeester, his failed life and his adored daughter, into a haunting road movie, a journey to the end of the night. Scholten van Aschat, who had long been working towards the role, allows the contained bitterness and anger to slowly turn into despair. Hoeks plays her best role so far here and Ter Steege saw enough in this script to put aside her dislike of Grunberg. And don't forget nine-year-old Keitumetse Matlabo from South Africa, as Hofmeester's conscience and guardian angel. The result is a film that wrings and chafes, but also has the allure of a great and bitter tragedy. Tirza is now the Dutch entry for the Oscars.

Een andere sterke acteursfilm die komende zaterdag op het festival in première gaat is Schemer van Hanro Smitsman. De rolbezetting van dit losjes op de moord van Maya Braderic gebaseerde drama laat een keur aan jong Nederlands talent zien. Smitsman, die eerder Robert de Hoog naar een Gouden Kalf voor zijn rol in Skin regisseerde, maakt van Schemer een fraai ensemblestuk waarin het groepsgedrag van zogenaamde schoolvrienden die eigenlijk allemaal permanent op hun hoede zijn haarscherp wordt neergezet. Verontrustend genoeg, ook zonder de moord.

Gast van het jaar is Anneke Blok, de bescheiden maar veelzijdige actrice die velen zullen kennen van haar ontroerende optreden in Alles is Liefde, maar die ook op de planken in vaak grimmige en confronterende stukken haar mannetje staat.

Tirza is in Utrecht nog te zien op 28 en 29 september, en komt op 30 september landelijk in de bioscoop. Schemer is te zien op 25, 26 en 30 september.

Leo Bankersen

Leo Bankersen has been writing about film since Chinatown and Night of the Living Dead. Reviewed as a freelance film journalist for the GPD for a long time. Is now, among other things, one of the regular contributors to De Filmkrant. Likes to break a lance for children's films, documentaries and films from non-Western countries. Other specialities: digital issues and film education.View Author posts

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