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Does the body still matter?

Europe in Motion (EIM) is an international exchange project, which promotes the development of
supports emerging choreographers and passed through three partner organisations of
Springdance travels. Last February, it did nottdance in Nottingham and in April
EIM descended on Utrecht. During SPRINGDANCE 2011, nine choreography talents went
from Britain, Austria, Turkey and the Netherlands in private conversation
On the impact of the globalising world on their work

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Ingrid van Frankenhuyzen

Ingrid van Frankenhuyzen worked as a journalist (until 2009) for NRC Handelsblad for 11 years. For years, she worked in radio (NCRV, KRO, NPS) for both arts and current affairs programmes on Radio 1 such as Hier en Nu Achtergronden, Het Geding, Formule 1 and Kunststof. She was an editor, presenter, reporter, writer and directed documentaries and radio plays (like the Odysseia with Ton Lutz). In Frankfurt, she was involved in many projects of the Hessischer Rundfunk. In 2000-2002, she was a committee member at the Council for Culture. In television (KRO, NCRV, IDTV), she made programmes and series on corporate social responsibility, politics, psychology, art and the environment. She also wrote a (legal) handbook: Divorce for Beginners; The Divorce Guide from A to Z. Ingrid is director of Communisenso. She taught many European and national politicians, aldermen and councillors, (government) managers and CEOs the tricks of the communication trade. She is a specialist in (online) crisis communication. Ingrid van Frankenhuyzen is also artistic director and director of Stichting Zeeproducties c.q. Oh Die Zee / Oh The Sea, which develops Oerol-like projects. See www.ohdiezee.nlView Author posts

Europe in Motion (EIM) is an international exchange project, which promotes the development of
supports emerging choreographers and passed through three partner organisations of
Springdance travels. Last February, it did nottdance in Nottingham and in April
EIM descended on Utrecht. During SPRINGDANCE 2011, nine choreography talents went
from Britain, Austria, Turkey and the Netherlands in private conversation
On the impact of the globalising world on their work

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

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