Ingrid van Frankenhuyzen worked as a journalist (until 2009) for NRC Handelsblad for 11 years. For years, she worked in radio (NCRV, KRO, NPS) for both arts and current affairs programmes on Radio 1 such as Hier en Nu Achtergronden, Het Geding, Formule 1 and Kunststof. She was an editor, presenter, reporter, writer and directed documentaries and radio plays (like the Odysseia with Ton Lutz). In Frankfurt, she was involved in many projects of the Hessischer Rundfunk. In 2000-2002, she was a committee member at the Council for Culture. In television (KRO, NCRV, IDTV), she made programmes and series on corporate social responsibility, politics, psychology, art and the environment. She also wrote a (legal) handbook: Divorce for Beginners; The Divorce Guide from A to Z. Ingrid is director of Communisenso. She taught many European and national politicians, aldermen and councillors, (government) managers and CEOs the tricks of the communication trade. She is a specialist in (online) crisis communication. Ingrid van Frankenhuyzen is also artistic director and director of Stichting Zeeproducties c.q. Oh Die Zee / Oh The Sea, which develops Oerol-like projects. See www.ohdiezee.nl
What happens behind the scenes at organisations when they face allegations of (serious) cross-border behaviour? Trainee Emilia accuses a theatre technician at a well-known theatre company of rape. This piece is based on her story and her own research, anonymised for privacy reasons. June 2022, beer, vodka, joints and a share scooter It's party time in a city park; students...
Pure panic and existential angst: that's the picture you get when you approach makers in the arts personally about the effects of trickle down (the trickle down of corona funding from the government to those makers). The Creative Coalition may be making a fist for them, talking to the minister about it, the institutes debating it, but the creators are silent....
My story about cultural big earners turned out to be the talk of the town in the cultural sector. Not publicly, i.e. mainly behind the scenes, I was approached. One of the few people who did speak out publicly was Henk Scholten. On Facebook, he responded to a column by journalist Aukje van Roessel about the questions raised by The Hague city council
Just like in the world outside culture (call it capitalism), in the cultural sector itself you also see a huge payment gap between creators and 'the plush'. Only you can't talk about that taboo without being seen as a traitor.
Europe in Motion (EIM) is an international exchange project, which supports the development of emerging choreographers, travelling through three Springdance partner organisations in 2011 and 2012. Last February it visited Nottdance in Nottingham and in April EIM touched down in Utrecht. During SPRINGDANCE 2011, nine choreography talents from the UK, Austria, Turkey and the Netherlands interacted privately with...
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