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Götterdämmerung marks end and new beginning Reisopera

It is the first mass scene in Wagner's Ring: Siegfried leads Brünnhilde to the Gibichungenburg and Hagen summons all his men. From the side stage there is literally a deafening blare of horns, but conductor Ed Spanjaard lets it play on. And rightly so: the orchestra has a spark. The whole stage is filled in an instant and the choir swells in strength, louder and louder, ever louder, until the ecstatic apotheosis:

Gross Glück und Heil lacht nun dem Rhein

While the choir of...

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Henri Drost

Henri Drost (1970) studied Dutch and American Studies in Utrecht. Sold CDs and books for years, then became a communications consultant. Writes for among others GPD magazines, Metro, LOS!, De Roskam, 8weekly, Mania, hetiskoers and Cultureel Persbureau/De Dodo about everything, but if possible about music (theatre) and sports. Other specialisms: figures, the United States and healthcare. Listens to Waits and Webern, Wagner and Dylan and pretty much everything in between.View Author posts

It is the first mass scene in Wagner's Ring: Siegfried leads Brünnhilde to the Gibichungenburg and Hagen summons all his men. From the side stage there is literally a deafening blare of horns, but conductor Ed Spanjaard lets it play on. And rightly so: the orchestra has a spark. The whole stage is filled in an instant and the choir swells in strength, louder and louder, ever louder, until the ecstatic apotheosis:

Gross Glück und Heil lacht nun dem Rhein

While the choir of...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

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