'Nina Hiddema and the supervisory board have concluded that this is a natural time for Nina to step down.' Nice sentence in the press release that appeared in the mailbox on 15 January. De Reisopera, the Enschede-based opera company that performs operas especially for everything outside Amsterdam and Maastricht, is bidding farewell to director Nina Hiddema after two years. Whether it...
'A sorcerer's apprentice? It is really not the case that Josef Fuchs could and would single-handedly bend an entire application process to his will. That is pertinently untrue and I even find it damaging to his person.' Nina Hiddema reacts vehemently to our article on Josef Fuchs' remarkable job title, and the change in it. Read more about the...
Last Monday, 20 September, the Nederlandse Reisopera presented its programme for the upcoming season. The speaker was Josef Fuchs, who was introduced as the company's new artistic director by its general director a.i. Nina Hiddema. A festive occasion, which caused slight surprise in the small gathering (a few journalists and some colleagues). In an interview (below...
The National Opera had made a mistake in preparing its application. According to the Culture Council, the multi-million-dollar national institution had failed to break down performance data between dance and music. As a result, the company had to come up with an entirely new application before 1 November. Now it turns out that was not so bad. As it turns out, the data...
On 4 June, the Council for Culture issued its opinion on the subsidy applications of cultural institutions in the so-called basic infrastructure. The Council for Culture is the legal advisory body of the government and parliament in the field of art, culture and media. The Council advises on current policy issues and subsidy applications, solicited and unsolicited. It is very worthwhile www.raadvoorcultuur.nl af...
The new year often starts with new insights and resolutions. A critical reflection can then help. We were therefore delighted to read the Volkskrant of 2 January, in which columnist and theatre critic Merlijn Kerkhof concludes that in 2020, he wants to enjoy all that the Netherlands has to offer in terms of culture a bit more often outside 020. And that is only right,...
The new production of L'Orfeo by De Nederlandse Reisopera and Opera2Day is a form of total theatre in which Wagner would have licked his fingers. In her direction, Monique Wagemakers forges song, dance, music, costumes and scenery into an inseparable whole. The performance is compelling, poetic and enchanting and fits seamlessly with the stylised language with which Monteverdi in 1607 presented the...
The Council for Culture has just proposed the new Basic Infrastructure (BIS), and it has become a very big, in traditional terms 'prosperous', baby. Since the Council is not allowed to name names, and can only list functions, we have already made a fill-in list here, in which we list (very briefly, because little time and not knowing about everything) which existing cultural...
Oratorios are notoriously undramatic, because they only tell a story for one second and do not zoom in on human emotions. Juditha Triumphans is no exception and the narrative itself has little to it. To rid her town of its assailants, Judith gets their general drunk and then cuts off his head. This could make for a compelling story, were it...
It took about a day for the PVV Enschede branch to discover the message. Quite fast for a club that is usually not very interested in art. Anyway, this one detail at the presentation of the regional culture index was of course grist to the mill of the far-right local party: Region Enschede has the biggest mismatch between amount of subsidy and...
In 1920, Erich Wolfgang Korngold experienced triumphs with his psychological opera Die tote Stadt. The work was performed in more than eighty cities at the time, with unanimous critical acclaim. The opera then disappeared from the stage for a long time but is nowadays performed again sparsely. So it is good that the Nederlandse Reisopera is bringing this almost forgotten piece back to the stage....
The theme of Puccini's 1900 opera Tosca is of all times. A cocktail of passionate love, political rebellion, lust and betrayal is centred around the person of Floria Tosca. Director Harry Fehr presents this story as a reality soap, with implicit commentary on our selfie culture. A nice find, but it is questionable whether it can bring the drama to life...
This was the email from the editors of Trouw, dated 9 May 2018: "Mr A. Bakx has had the phone number and email address we now have from him under this name since 2014. We therefore assume that he is A. Bakx." Was supported by an email to Erwin Roebroeks, which mentioned a telephone conversation with...
'If Mohammed doesn't come to the mountain, the mountain will come to Mohammed,' they thought at Operadagen Rotterdam. Earlier this year, the Enschede-based Nederlandse Reisopera gave a press presentation in Carré. This time, the Rotterdammers travelled to the capital. Artistic director Guy Coolen and dramaturge Tobias Kokkelmans told a select club of journalists what the audience could expect from 18-27 May,...
We're sitting in the opera house; We're waiting for the curtain to arise With wonders for our eyes; We're feeling pretty gay, [...] A feeling of expectancy, A certain kind of ecstasy, Expectancy and ecstasy... Sh's's's's. "Curtain!" With the above words, Charles Ives sang of the excitement of a child going to the opera for the first time. A similar enthusiasm shows...
Toneelgroep Amsterdam and Stadsschouwburg Amsterdam will continue together as 'Internationa(a)l Theater Amsterdam' (ITA). Not to be confused with the just-removed Internationaal Danstheater Amsterdam. I find the name 'ITA' rather chilly. Maybe as cold as Toneelgroep, but at least that still contained the word 'group'. That has something cosy about it. ITA is something like ING. Great ambition and no roots. For a moment...
When the Commendatore suddenly rises from his bier in the mortuary, Leporello recoils violently. He smacks painfully against the back wall, as if struck by a gust of hurricane-force wind. This cartoonish image is just one of many hilarious moments in Don Giovanni by the Nederlandse Reisopera. This production was performed after its premiere Saturday 4 March in the...
A usually reliable source reports that the winner of the New Year's Eve lottery wants to dedicate a significant part of her prize to culture. In this way, she wants to undo the cuts made by Rutte I. Six million will go directly to the Dutch Travel Opera. Another four million is earmarked for a new integral performance of Wagner's Ring des Nibelungen. Also scheduled is a revival of Tristan und Isolde...
In The Hague, they think it's a waste of money. Let them. Here are seven performances that were more than worth 'that sin'. Mona, Ariadne, Mariken, but also breathtaking circus theatre, a secret marriage, genre-transcending satire and the biggest set ever. 1. Mona, NTJong (youth theatre/drama). https://www.youtube.com/watch?v=Uk3cqHU0gBo It is the biggest pitfall of the age indication for theatre performances. Put in 6+ and...
Geert Wilders was quick off the mark, after the attack in Berlin, posting a photoshopped picture of Angela Merkel with blood on her hands. The message was all too clear. Even more opportunistic and shocking was the list posted half a day later by Martin Bosma, media and culture spokesman. Bosma's tweet included a list of names. Caption "These...
I tell you here why you should go to see Parsifal, and not even just because of the object by Anish Kapoor that plays a part in it. And you could also go to theatre one day, by the way. With The Girls. Fel theatre by our very best theatre company (according to Americans). The National Opera, Parsifal (opera) Four years ago, I attended Pierre Audi's...
In front of a sold-out Stopera, De Nationale Opera presented its new production of Giacomo Puccini's Manon Lescaut on Monday 10 October. Directed by Andrea Breth, the musical director is Alexander Joel. The lead role is sung by Dutch soprano Eva-Maria Westbroek, who was loudly applauded afterwards. The bad news First but the bad news. The...
Many a director is at a loss when it comes to Strauss' Ariadne auf Naxos. This is not surprising. In the prologue, about three quarters of an hour long, the composer is told, via the 'Haushoffmeister' of Vienna's richest man, that he is supposed to perform his opera buffa simultaneously with the opera seria of the commedia dell'arte-like dance troupe of Zerbinetta....
The main auditorium of Enschede's Wilminktheatre is empty, as is the orchestra pit. On the immense stage the set for the prologue of Strauss' Ariadne auf Naxos. Theatre technicians discuss lighting and supertitling cues, everyone looks relaxed. Including director Laurence Dale. It is four o'clock Friday afternoon, two weeks before the premiere on 10 September. Earlier that Friday, the prologue - which...
September, the month of the Dutch Theatre Festival and the Fringe Festival full of old and new performances you must see. But a lot is also happening in the rest of the country at the start of the new theatre season. Five must-sees. Toneelgroep Maastricht, Eyes wide shut (theatre) 'The new Shakespeare' he has been called, I already called him 'devil's advocate'. Fact...
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