"I never thought just playing music was enough." Andrea Voets (34) is a rising star in the arts, but cannot be pigeonholed. She has now found a form she calls musical journalism. And next year she will come out with For Real, a live concert-cum-talk show that will generate dozens of new podcasts, as many as...
"The unease of the voters who gave Wilders 37 seats is not solved by the position of power the PVV has now achieved." Roy Kemmers (43) is an associate professor at the sociology faculty of Erasmus University in Rotterdam. On Tuesday 28 November, he wrote an opinion piece in De Volkskrant, commenting on the rise of populism. He obtained his PhD...
"There is something strange going on. Municipalities have no money to build or furnish such a theatre, and companies have too little money to make productions. So it is chafing on both sides." Huub Huikeshoven, trained as an interior designer, works at Theateradvies, an organisation that advises on the layout and design of theatres. There, it turns out quite...
"What I really like is that Lot Vekemans, the writer, sees and hears how some texts just don't go, or don't do it. I would grant that to more writers." Actress José Kuijpers plays alongside Helmert Woudenberg in Lot Vekemans' play Blind. The play will premiere at the Brabant company Matzer on 22 October. Vekemans is...
"I think you can apply this idea of consent culture to families, friends, leisure groups, anywhere, if you like." On Friday 13 October 2023, Tilburg's Circus Festival Circolo will open with a seminar on the premises of the Fontys University of Applied Sciences. Keynote speaker at that seminar is Sabine Marringer. She will come with a special message, she announced: "I sent...
"My accent, my heart is with the people involved in circus. I therefore want to put them at the centre." Lucho Smit (1983) has been artistic director of Tilburg circus festival Circolo, which starts on 13 October, since April this year. He wants to put the festival, which has been around for 15 years, in the middle of the...
Det Rijven (1956) feels more vulnerable than 20 years ago: "I am not only afraid of falling. I also realise that my body is like an old bicycle that occasionally plays music and just wants to stop. Or has a flat tyre. That's really more often than before. You never know if the bike is still on the...
"I select dancers very carefully. I don't do auditions. I don't believe in anyone having to prove themselves in front of the others. So that's why I take quite a long time to choose who I want to work with. If I choose that person, we go for it 100%. No matter what." Corpus Criolla is a fascinating dance performance in which Caribbean...
Yves Degryse is one of the people behind the extraordinary Flemish company Berlin. Between 2011 and 2015, Berlin worked on the performance Zvizdal, largely shot in the 'forbidden zone' around the exploded Chernobyl nuclear power plant in Ukraine. I saw the performance in 2016 in Den Bosch, during Festival Boulevard, and was 'blown away'. This year, it returns to Boulevard
Louis Janssens is a young, ambitious theatre-maker from Flanders. With a string of rave reviews behind his name, he seems to have effortlessly found his place in the theatre world. This year, he is a prominent guest at Theatre Festival Boulevard in Den Bosch. His latest play, 'Desire', will premiere at the Verkadefabriek on 3 August. The play highlights the delicate...
'Sometimes people come to me crying to tell their stories, things they have experienced.' Theatre-maker, author, director Lisaboa Houbrechts has stirred things up with Vake Poes, the theatrical family epic she created with the Flemish company La Geste. The intense performance, in its lyricism fitting into the oeuvre of Alain Platel's Les Ballets C de la B...
In mid-March, I went to see the Toneelmakerij's Hamlet, a performance specially made in and for Amsterdam-West. I had some questions about that performance, I wrote in the review, and we would discuss those questions in a podcast with Abdelkader Benali, the adaptor of the text, and Paul Knieriem, the director. An hour and a half before the recording...
'We have had the Top Income Standardisation Act since 2013. That means that in the semi-public sector, the highest in an organisation are not allowed to earn above a certain standard. There are conductors who earn as much in the evening as the entire orchestra costs. That, of course, is bizarre. Then I always wonder how it is that they can escape the dance.' This...
Culture Press' new series of geek podcasts is about how to make theatre connect with your audience, and what happens when professional viewers continue to watch in their own way. And it's about the ambitions of 'the region'. So we also talk to Bran Remie, author and creator of the successful Enschede theatre series 'Huize Enschede', elsewhere on...
'We are used to thinking in extremes. It is still the only way to be heard. Loud action is the only thing that matters anymore, it seems. Therefore, we have to be careful to remain curious about where that action comes from, what desire there is. That personal attention is needed, to crawl under that actionism
When he was appointed chairman of Rotterdam's Arts and Culture Council in December 2021, nothing seemed wrong. But less than six months later, he is virtually on the street now that Arts alderman Said Kasmi (D66) has decided to disband the Rotterdam advisory council. After 17 years. Gonçalves is baffled, certainly...
Lena Rubashevskaya is a well-known film journalist and documentary filmmaker from Ukraine. She was working on a new film in Donetsk when Russian troops began their invasion of Ukraine. She had to flee headlong. Now, eight days later, she tells us her story from Warsaw. When you listen to her, you understand forever that fleeing war and violence is one of...
Susannah Elmecky and Emma Remmelts were in the third year of the Utrecht School of Theatre when Covid struck. Now they have both graduated and started careers on stage. In this podcast, they tell how they experienced the time of lockdowns. Also joining us is Victorine Plante, director of theatre group Aluin, where Susannah Elmecky is now playing a beautiful role in...
Marijn Lems has a hobby that coincides nicely with his work as a reviewer for NRC Handelsblad, Theaterkrant and Cultuurpers. After all, he plays countless games, sees bizarre amounts of television series and also goes to the theatre more than many colleagues can afford. Every year, he creates a top list, which he posts on Facebook. Once it was the...
In the third episode of the podcast KunstZINnig, journalist Jasmijn Huisman talks to Amsterdam city poet Gershwin Bonevacia about how poetry gives meaning to his life: 'There is always a fire inside me that I cannot deny. I didn't make the choice to write, I just can't do anything else.' Gershwin Bonevacia is...
Patricia Goduto (37) was on stage in major Stage Entertainment shows early this century when an old childhood trauma played up and plunged her into a years-long psychosis. Her life changed irrevocably, she became addicted to drugs and alcohol and was declared incurable by her practitioners. Now she has been on stage for a few years, cured of her...
In the second episode of the podcast KunstZINnig, I talk to art curator and writer Hanne Hagenaars about how art gives meaning to her life: 'Art has deepened and, in a way, saved my life'. Hanne Hagenaars wrote the book 'No Cloud: How Art Saved My Life' in 2016. In this book, she discusses artworks that...
The theatres are struggling to fill up, technicians have hung up their lamps, but tickets are not on sale for Het Nationale Theater's Trojan Wars. So in this long-awaited Nerd podcast (the AVROTROS thinks the tune is really terrible), we talk to Cees Debets, the director of that great theatre company from The Hague. Marijn Lems also happens to have a few...
The link between the Orpheus myth and Arnhem potenrammers is more obvious than you might think. At least, if your name is Peer Wittenbols and you are one of the country's best playwrights. That you can also think of accordions as part of that is, in turn, extraordinary. Still, Blood Coral, a performance by accordion duo Toeac, with a lead role for Jack Wouterse on a text that promises...
'The contact you make with your audience as a comedian is the highest thing for me.' When comedian Thjum Arts (1993) started breaking through as a comedian around 2018, he wondered if this was what he really wanted. As a human being, should he really want to talk about himself so much? Studying social work would have...
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