One of the rules of thumb of contemporary theatre art reads as follows: There is no middle ground in a production with an insanely long title. Such a production is fantastic, or dies of its own pretensions. With Judson church is ringing in Harlem (made to measure) / twenty looks of paris is burning at the judson church (m2m), the latter is the case.
In 2012, I saw an earlier performance by dancer/choreographer Trajal Harrell, titled (M)imosa. A fascinating, disruptive and be...
You can now log in to continue reading!
Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!
(Recent posts (under three months old) are available for all to read, thanks to our members!)
Become a member, or log in below:
English (UK) 
Nederlands 
Français 
You must be logged in to post a comment.