Even before the final notes of Benvenuto Cellini had sounded, the audience erupted in loud cheers and cheers last night (12 May). So Monty Python director Terry Gilliam's team pulled out all the stops to make this first opera by Hector Berlioz an unforgettable experience. That his dadaesque staging evoked memories of the joke-and-roll approach of the popular Theatre of Laughter proved no objection to the well-educated visitors of The National Opera. D...
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