It was a touching moment when director Cherry Duyns drove a frail Misha Mengelberg onto the stage on Tuesday 9 June, after the premiere of his opera Koeien (Cows). Dressed in a bright orange windbreaker and wearing a cap with an oversized visor, the recently turned eighty-year-old improviser and rudderless disruptor looked around uncomfortably: is this applause for me? Yet he visibly enjoyed it, and after some hesitation, he triumphantly raised his flowers into the air. The tremendous affection from the musicians of the band he in...
You can now log in to continue reading!
Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!
(Recent posts (under three months old) are available for all to read, thanks to our members!)
Become a member, or log in below:
You must be logged in to post a comment.