In 1989, the Holland Festival placed composers from the Soviet Union at the centre. The music of Galina Ustvolskaya and Sofia Gubaidoelina hit like a bomb. The ladies proved to be here to stay, although they move at two extremes of our perception of sound. Ustvolskaya pounds her message into our eardrums with monomaniacal drive, Gubaidoelina intoxicates us with mysterious rustling and whispering sounds. For me, they are among the most interesting post-World War II composers. Do...
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