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Powerladies in Muziekgebouw aan 't IJ

In 1989, the Holland Festival placed composers from the Soviet Union at the centre. The music of Galina Ustvolskaya and Sofia Gubaidoelina hit like a bomb. The ladies proved to be here to stay, although they move at two extremes of our perception of sound. Ustvolskaya pounds her message into our eardrums with monomaniacal drive, Gubaidoelina intoxicates us with mysterious rustling and whispering sounds. For me, they are among the most interesting post-World War II composers. Do...

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Thea Derks

Thea Derks studied English and Musicology. In 1996, she completed her studies in musicology cum laude at the University of Amsterdam. She specialises in contemporary music and in 2014 published the critically acclaimed biography 'Reinbert de Leeuw: man or melody'. Four years on, she completed 'An ox on the roof: modern music in vogevlucht', aimed especially at the interested layperson. You buy it here: https://www.boekenbestellen.nl/boek/een-os-op-het-dak/9789012345675 In 2020, the 3rd edition of the Reinbertbio appeared,with 2 additional chapters describing the period 2014-2020. These also appeared separately as Final Chord.View Author posts

In 1989, the Holland Festival placed composers from the Soviet Union at the centre. The music of Galina Ustvolskaya and Sofia Gubaidoelina hit like a bomb. The ladies proved to be here to stay, although they move at two extremes of our perception of sound. Ustvolskaya pounds her message into our eardrums with monomaniacal drive, Gubaidoelina intoxicates us with mysterious rustling and whispering sounds. For me, they are among the most interesting post-World War II composers. Do...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

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