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Composer George Crumb gives like button a break #HF17

The doors are closing and the society of spectacle, as described by Guy Debord, remains outside. George Crumb (1929) - in focus at this year's Holland Festival - unpacks contemporary man with his Metamorphoses, Book I (which has its European premiere Friday night). Gone, then, is the shell of the ongoing pandemonium in which a diarrhoea of word, image and sound overtop each other.
Concentration
The now, with no sense of then or then, stands incessantly cent... in that boiling cauldron of witches.

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Sven Schlijper-Karssenberg

Sets his ear to places he does not yet know in today's sound. Writes the catalogue raisonné of Swedish artist Leif Elggren's oeuvre, is a board member of Unsounds and programmes music at GOGBOT Festival. His essays on sound art have appeared on releases by Pietro Riparbelli, Michael Esposito, Niels Lyhnne Løkkegaard and John Duncan.View Author posts

The doors are closing and the society of spectacle, as described by Guy Debord, remains outside. George Crumb (1929) - in focus at this year's Holland Festival - unpacks contemporary man with his Metamorphoses, Book I (which has its European premiere Friday night). Gone, then, is the shell of the ongoing pandemonium in which a diarrhoea of word, image and sound overtop each other.
Concentration
The now, with no sense of then or then, stands incessantly cent... in that boiling cauldron of witches.

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

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