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DocLab 2018: improve the world, put on VR glasses.

Slowly but surely, the very latest in virtual reality (VR) is finished and we can start thinking about what you want to show, rather than how. Whereas at the first VR festival I still got whooping headaches from bad glasses, now I can be mesmerised by the beauty of the Amazon or beautiful animations. Film theatres like Eye and festivals like IDFA have now included VR in their programmes. IDFA even as a solid component, with not only installations and films, but also...

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Helen Westerik

Helen Westerik is a film historian and great lover of experimental films. She teaches film history and researches the body in art.View Author posts

Slowly but surely, the very latest in virtual reality (VR) is finished and we can start thinking about what you want to show, rather than how. Whereas at the first VR festival I still got whooping headaches from bad glasses, now I can be mesmerised by the beauty of the Amazon or beautiful animations. Film theatres like Eye and festivals like IDFA have now included VR in their programmes. IDFA even as a solid component, with not only installations and films, but also...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

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