Polish-Dutch Hanna Kulenty (Białystok, 1961) writes music that gets under your skin. Whether it is early works like Fourth Circle for violin and piano (1994), the opera Mother of Black-Winged Dreams about multiple personality syndrome (1995), or more recent compositions like the Viola Concerto (2015) and her Flute Concerto No.3 (2018), irrevocably you are taken on an exhilarating journey with an inescapable emotional eloquence. For the upcoming Bass Clarinet Festival v...
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