Westbeat, Amsterdam's newly built cultural fringe, is perhaps too good.

by Wijbrand Schaap
12 September 202130 March 2022
4 min read
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Kunst, en zeker avant garde-kunst, gedijt bij de rafelranden van de samenleving. Zeker in de tweede helft van de 20ste eeuw was industrieel erfgoed en nog niet gerenoveerd stadsschuim dé plek waar kunst zich aan de normen van de heersende klasse kon onttrekken. De NDSM-werf in Amsterdam Noord, Hal 4 of de Onderzeebootloods in Rotterdam, Ceramique in Maastricht, Sterrebos in Utrecht en een oude tandpastafabriek in Amersfoort waren plekken waar het gebeurde. Uiteindelijk zijn ze allemaal ten prooi...

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Tags:Amersfoort Amsterdam Den Bosch ICK artists Maastricht musicalgate Rotterdam theatre utrecht

Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.View Author posts

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