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Helen Westerik

Helen Westerik is a film historian and great lover of experimental films. She teaches film history and researches the body in art.

How cool is it to be fluent in Berber and Dutch as a five-year-old?

Always wanted to learn Old Irish or Sranan Tongo? Still prefer to learn to rap with Nitrogen? Do you wonder how aid workers communicate when they are deployed? In a couple of days, the Drongo Festival will start, two days covering all facets of language. You can take crash courses in Chinese, as well as listen to all kinds of lectures. We take a sneak preview with... 

Dutch Film Special (3): Beauty film, eh! Dutch in Toronto

How is Dutch film doing beyond its borders? Just before the Dutch Film Festival breaks loose, its big international brother in Toronto (TIFF) kicked off. Red carpets, big stars and ditto premieres. It may be slightly less well-known here than Cannes, but TIFF is at least as important. For example, in the run-up to the Oscars. Not a bad thing, then... 

My Fringe 2015 in 3 performances

Those who do not want to open the theatre season in 'Black Tie' and with a gala would do well to go to the Fringe Festival. Already in its tenth year, the festival is bouncing in all directions, this year with 80 performances. Unselected, untamed and unjudged, as they call it themselves. In other words, sometimes you see something wonderful and sometimes you... 

The 10 best films to get in the mood for SAIL

Boats and film, they have been linked since the very earliest cinema. The first moving shot is shot from a gondola in Venice, Georges Méliès already made Les haleurs de bateaux in 1896 and the much more sophisticated 20000 lieues sous les mers in 1907. With SAIL about to break loose, it is time to list the best nautical films.... 

Greece Special (3): How is the film festival in Thessaloniki going?

  If all goes well, the 56th Thessaloniki International Film Festival will kick off on 6 November. Less well-known than Rotterdam, Berlin or Locarno, but the most important festival in southern Europe. And they have quirky and broad programming, where you can discover all kinds of new filmmakers. But is it going well? The first festival dated back to 1960 and was... 

A tricky marriage between festival and philosophy

Typical of a not entirely satisfactory evening around Samuel Beckett and French philosophy is the way it was announced. The Holland festival called the evening Beckett and Philosophy: Samuel Beckett, Albert Camus, Georges Bataille, Gilles Deleuze. Organiser Felix and Sofie called it Beckett in the crosshairs of French Philosophy. I wonder how much dialogue between the festival... 

One Lulu is not the other

Eye organised a Lulu Marathon as part of the William Kentridge exhibition at the Holland Festival. Kentridge directed Alban Berg's opera Lulu. As part of that, Eye screened the two main Lulu films that inspired him. The first was Leopold Jessner's Erdgeist (1923) and the second was G.W. Pabst's Die Büchse der Pandora (1929). Two iconic Weimar... 

Distancing with Weijers & van Saarloos

Over 70% of the talking heads on TV are men, Simone van Saarloos told us in the introduction to her own talk show. Niña Weijers and she thought that surely something like this could be done better, without talking about glass ceilings and other women's topics. And so, in October 2013, they launched their sexist talk show series with guests from the arts, literature, politics and... 

Letter Bussemaker: butts in seats or artistic recognition?

Minister Jet Bussemaker's letter will keep tongues wagging for a long time to come. There are considerable gaps here and there between the Culture Council's advice and the minister's letter. Also in the field of film and media. A list of differences. Bussemaker notes that the film sector is changing considerably. Media consumption is changing due to the rapid rise... 

Robert Wilson enchants with Krapp's Last Tape

For the first time in years, Robert Wilson is back on stage by himself and he proves what a sublime performer he is. In Samuel Beckett's play Krapp's Last Tape, he plays an old man looking back at his younger self. His older self is almost without language, but with cries, grimaces and gestures. Wilson manages to take the play to its bitter... 

Zeros, ones and the public; what is digital art?

The new format of the Holland festival puts the spectator first. Plenty of visible events, free performances and being in the middle of the city. It's director Ruth McKenzie's trademark. It is therefore not surprising that she does not shy away from the digital universe. After all, what better way to share than digital art? But what then is digital art... 

Arab women conquer Eye

A special film programme opens at Eye on 5 June: Where do we go now? Arab women behind the camera. Those who think of the Middle East and North Africa may think of conflicts and IS, perhaps of the origins of algebra, but probably not of women filmmakers. Yet they are rising considerably. In 1994, Moufida's Les Silences du Palais was... 

Self-assembling in van der Aa's multiverse: The Book of Sand

A young blonde woman climbs a staircase in a round, windowless room and emerges into a desert. She runs laps around a red cloth, singing "everything's repeated many times". Or: the same young woman lies in the same windowless round room, but now in a different dress and with a curious machine. "everything's repeated many times". Or: the same... 

The Impact of Art, fierce conclusion to three-day conference

How can you write about a three-day conference, part of which took place behind closed doors, the closing night of which looks very neat on vimeo, but where the tension in the room was palpable? With a completely open attitude and not much more background than an average newspaper reader, but with a firm belief in the power of the arts,... 

Navigating between art and politics, an intermediate view

Woensdag was de openingsavond van de driedaagse conferentie What’s Art Got To Do With It? Over kunst, politiek, en Israel/Palestina. Hoe open je een conferentie over een beladen onderwerp waar iedereen, zeker vanaf de zijlijn, een mening over heeft? Met muziek. Want hoe kun je daar tegen zijn? De avond begon gemoedelijk met een kort optreden van het Amsterdams Andalusisch… 

From world politics to the most intimate story: in search of what touches at Writers Unlimited '15

Writers Unlimited's Friday night kicked off with an Islam debate. In no uncertain terms, religious historian Karen Armstrong argued that Islam and jihad are not the same thing. There are only 41 jihads in the entire Quran, most of which are the peaceful struggle to help the poor when one is destitute oneself. But after the Paris attacks... 

De scene die filmgeschiedenis schreef

Vanochtend is Anita Ekberg gestorven in een ziekenhuis in Italië. Ze is 83 jaar geworden. Maar voor ons is ze eigenlijk altijd 28 gebleven en stond ze eeuwig in de Trevifontein. Ekberg begon haar carriëre als Miss Zweden en is gewapend met die titel naar de VS vertrokken. Daar heeft ze een aantal kleine filmrollen gespeeld waarin ze voornamelijk mooi… 

Chris Marclay enchants @hollandfestival with his found footage collages

Holland Festival Holland Festival

Multidisciplinary jack-of-all-trades Chris Marclay has broken through with his film project The Clock: every second of the day represented with found footage. It took him five years to make the 24-hour work. That says something about the way he makes his art. The incredible precision with which he edits makes his work so convincing that the viewer almost falls into a trance.

The Holland Festival presented three of his works at EYE, the new film museum, in which he collaborated with MAZE, a descendant of the Maarten Altena Ensemble.

The Pyre: taut, disruptive performance by Gisele Vienne @HollandFestival

Holland Festival

Anyone suffering from the misconception that dance is about beauty is mercilessly disabused of the dream by Gisele Vienne. Her pieces are about pain. Sometimes gory and explicit, sometimes sublimated but no less powerful. The Pyre is an overwhelming piece that leaves the audience dizzy.

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