In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice.
In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: from noise around the Fonds Scheppende Toonkunst to laurel wreath for the Dutch Composer The adagissimo of windmills Like two bedraggled schoolboys, we sat In the meeting room opposite Reinbert de Leeuw, chairman of the Society of Dutch Composers (GeNeCo). We, Cas Smithuijsen...
In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: how can the municipality deal with culture in a businesslike way? The alderman was delayed. It gave me a brief opportunity to visit the toilet. But in the beautiful historic building where Leeuwarden still housed the mayors and aldermen at the time, the guest toilet was cramped....
In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: the 1985 Budapest Cultural Forum and a renewed cold war. This year marks the 35th anniversary of the fall of the Berlin Wall. Only a short time before, intense discussions between Warsaw Pact and NATO countries on security, disarmament and free cultural...
In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: cultural education in primary education. Ambitions of a new cabinet Spring 2003. The sun began to shine a little more and branches began to blossom. Here presented the metaphor that could serve as a title for the report that...
In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: policies for jazz and improvised music. From the Oude Schans to Rijswijk May 1983, Monday morning, a quarter past eight. Location: the soulless office tower in Rijswijk housing the Ministry of Welfare, Public Health and Culture. Minister Brinkman addressed the members of the Working Group on...
In Zutphen, I attended Jeroen den Herder's congenial small-scale cello festival. There, two young Portuguese students gave a lecture/recital on their research project on the music of the fado singer and composer José Zeca Afonso, an important voice in the 1974 Portuguese Revolution. At home, I looked up that music. It turned out to be the perfect background when reading "Friesland, my...
Still Amersfoort by the Sea is not a reality. Sea level rise is taking a bit longer to materialise. In the meantime, then, the city is still just centrally located in the country, with the largest national hub for train traffic, an average population profile, a historic city centre, a unique training programme for carillonneurs, as well as the 'music factory' in the Veerensmederij and the art gallery KAdE...., which scores well in reviews.
In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: walk of the orchestras. In the Hall of Mirrors January 1980, the Hall of Mirrors in the Concertgebouw. Culture minister Til Gardeniers accepts the report "Possession in service" 1 presented by the Federation of Artists' Associations. I found it exciting because the report, commissioned by...
Cees van Leeuwen was a bass guitarist in the pop formation Kayak. Not for very long; soon he chose to study again: cultural anthropology and law. He specialised in labour and entertainment law and started working as a lawyer. In later years, he was the legal counsel of singer Anouk, among others. Cees van Leeuwen was also state secretary for culture for a year (on behalf of...
In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: training as a learning process for a sector. Driving licences and absenteeism policy The youth theatre company was a collective of actors. They were jointly responsible and they kept as much control as possible over everything, including transport to their performances. So an actor with a driving licence was then...
The Rotterdam Council for Arts and Culture (RRKC) has been disbanded from 1 January 2023. I wrote about this in June this year2, and earlier the editor-in-chief did3. At that time, formal decision-making in Rotterdam had yet to take place. Given the question marks in the city council, it is safe to say that the college finally pushed through the dissolution. The...
The first 10 years of leadership were over. It seemed high time for refresher training: take a breath, stand back, acquire new skills and knowledge. But what and where? There were no specific offers for leadership in the arts. There was the option of going to Banff, Canada, for a then unique culture-focused management course. A single cultural manager...
I had coffee, tea and snacks ready. I had also asked my son, the designer, to sketch an example of a future logo for 'Cultureel Nederland'1. Although the Federation of Culture (FC)'s heyday took place at the chairman's house and not on the heath, it was meant to be a heyday. That is, an informal conversation about...
Next to the industrial complex was another large hoisting plant. Inside were some reminiscences of past activity. The factory hall in Amsterdam-North where Stork made its machines was now completely deserted, cold, bare and quite dirty. Here we stood, director and chairman of Dansmakers Amsterdam, Ger Jager and me. Was this going to be the new home for Dansmakers? And was much scepticism among our...
In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: artists' interests. Above the children's circus The ground floor of the building on Passeerdersgracht in Amsterdam housed children's circus Elleboog. On the second floor were the chess federations: the national federation and Max Euwe's international federation FIDE, which you could sometimes see in person....
In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: providence for artists. The office at Noordeinde in The Hague. At the meeting table, all board members had a fixed place. At that spot was a packet of cigarettes of the right brand ready for everyone. The meetings started at the stroke of two o'clock. Around half past...
"Miss, please give me the minister!". Henk Vonhoff's voice sounded as commanding as it was eloquent as he addressed his secretary over the intercom. Vonhoff was commissioner of the Queen in Groningen, but also chairman of the supervisory committee of the Groningen State University of Applied Sciences, the only college still directly under the minister. We, faculty directors, were at... for the umpteenth time.
In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: international solidarity. When Hans van Manen does want to receive Russians Scene 1. White House lawn On the lawn in front of the White House, first lady Pat Nixon1 walks past the assembled choirs singing to her. Suddenly, during a silent moment, the...
(What preceded. In the previous chapter, I thought back to my father. Who sought support from a predecessor of today's Cultuurconnectie to set up a creativity centre. And how he himself later downsized an arts centre precisely. Most municipalities now focus on cultural education in education, not on individual amateurs. What is the best model? And can you...
My father had received a visit from Amsterdam. It was a gentleman from the Association for Creativity Development VCO. He came to advise on how to set up a creativity centre and how to apply for a subsidy from the municipality. Goldsmithing was my father's hobby - secretly the profession he had hoped for as a boy - and in our...
The Turfsteker rejected The mayor was angry. The councillor was angry. Everyone was angry because the A municipality wanted to put up a work of art by a locally highly regarded sculptor as a tribute to the peat cutter, but was denied a grant by the province. The Cultural Council had advised negatively. The relevant advisory committee lamented the artist's figurative work; it left nothing to...
In the beautiful but overcrowded office of the director of Kunstuitleen SBK Amsterdam, on the Nieuwezijds Voorburgwal, paintings, etchings, gouaches, photographs were everywhere against the wall. And ceramics too. At the meeting table, the entire board of the Federatie Kunst Uitleen (FKU) with whom I had come to meet as intended external chairman. I walked, enthusiastically shaking everyone's hand, around the...
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