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Uiteindelijk komen we allemaal uit het water. Onze allervroegste voorouders kropen immers uit de zee op vinnen die zich in de modder zouden gaan ontwikkelen tot pootjes. Pootjes die we vervolgens weer zouden gaan doorkweken tot kolenschoppen, vliegtuigvleugels en mobieletelefoonvasthouders. Dat de zee ons nog steeds samenbindt is dus een mooi thema van het project One Ocean, dat op zondag…
Amsterdam heeft nog wel wat rafelranden in industrieel erfgoed, maar ze nemen snel in omvang af. De linkeroever van het IJ verandert langzaam maar zeker in een gegoede woonbuurt. De NDSM-werf is nog maar een kleine postzegel in een verder buitengewoon prettig bevolkt appartementenbos. Meer naar het oosten is er nog plek. Achter de Jumbo, aan de jachthaven, is nog…
Romeo Castellucci heeft een buitengewoon interessante verhouding tot de actualiteit. Ik volg de theaterkunstenaar nu een dikke 25 jaar en steeds maakt hij voorstellingen die bijna toevallig iets met het nieuws van de dag te maken hebben. Al heeft hij dat liever niet. Zijn project ‘Democracy in America’ maakte hij niet omdat Trump toen bij zijn eerste verkiezing die democratie…
Hoe echt wil je het eigenlijk hebben? Is dat bij kunst noodzakelijk? En wat is eigenlijk echt? Een kunstwerk kan duizendvoudig in waarde stijgen als blijkt dat het niet door een amateur, maar een echte meester is gemaakt, of omgekeerd: een schilderij dat eeuwenlang voor een Rembrandt doorging kan alle waarde verliezen als blijkt dat het door een van zijn…
Het fascinerendste aan al het gedoe rond AI is dat ongeveer de helft, maar misschien meer, van alle hype rondom de large language models waarop het is gebaseerd, vooral ook marketing is. Let wel: ik ben me terdege bewust van de razendsnelle ontwikkelingen rondom de nieuwe techniek. Ik sta ook verbaasd over de mogelijkheden van alle computerkracht die nu vrij…
Cubes of young mature cheese, butcher's liver sausage, original bitterballen and beer. On Saturday 31 May, it was as if time had stood still for about 40 years at the Zaanse Filmfabriek. That had everything to do with the occasion. On that spot, once a rusty frayed edge, now in the middle of the Zaanse city centre converted into a tourist attraction of Efteling allure, Hollandia was born. Hollandia...
It's unbelievable, but it's happening anyway. NPO, once created to include the sound of smaller audiences, is dropping Kunststof. The programme that we always listen to here during dishes, dinner, trip to show to keep abreast of the world of art, is dropping for sports. Read it...
The low-threshold theatre with which festivals like Amsterdam Fringe, Café Theatre Festival Utrecht and Delft Fringe reach new audiences is not something you put together quickly. The three young makers of Dystopia prove that. They make their performance alongside their paid work as theatre teachers, playwrights and production managers. According to their own words, Fleur Mennega, Mathijs Demper and Myrthe Ligtenberg make "performances that...
This edition of the Holland Festival contains at least 1 performance that will make you feel extremely uncomfortable as a man. Nevertheless, I challenge the male brethren reading this to go and see it. I did it too, went all the way to Brussels for it and got brain food for years to come in return. That's because the maker is a...
We have been sitting on the edge of our seats here at home for several days watching Thomas Vinterberg's latest television drama. In Families Like Ours, the maker of Festen and Jagten describes how Denmark is being dissolved due to climate change. To do so, he uses no spectacular special effects, no CGI of tidal waves, no huge mass scenes. The world that goes down in Families Like Ours...
Lobbying season has begun. Today, two letters to our taciturn culture minister, who is trying so hard not to talk about art during this protracted government term. Letter 1 is from the Dutch dance sector asking for more peace and quiet in the tent, and more attention for the specific problems of the dance world. Nice is the attention they ask for...
That the Dutch performing arts, especially in relation to our neighbouring countries, are in a spread, may seem like a lame pun, but it is true nonetheless. Yesterday we presented a rather alarming calculation example on the consequences of the emphasis on spreading in the assessment of grant applications by the Performing Arts Fund. Today, a follow-up response from the same fund reveals that...
In the series In Perspective, Erik Akkermans looks back and ahead at developments in cultural policy and practice. Today: what is really needed for cultural dissemination? In the Glass City In one of the large rooms of the Naaldwijk auction complex, the Westlands Mannenkoor rehearsed under the direction of conductor Piet Struijk. The choir, consisting of more than a hundred market gardeners, drivers, middlemen and...
VMBO schoolchildren in Flevopolder gained confidence from their teachers. They were allowed to figure out for themselves how to make a guided tour of world heritage site Schokland more fun and educational. So the third-year students set to work on a project to offer the second-year students something more fun than the pre-chewed programme they had been following. They did so through the rules
When the Rotterdam Theatre announced the programme for the year (2001) that the city would be European Capital of Culture, director Jan Zoet hosted it at Amsterdam's Stadsschouwburg. In the ongoing 010-020 struggle, quite a statement. Zoet knew that the national press sat in the capital and was rarely willing to look outside the city limits. He also knew that...
"LKCA only partially meets the first condition: providing insight into the activities to be undertaken for the 2025-2028 grant period. The requested planning and budget are missing. The addendum gives a picture of which activities will be divested, but only partly clarifies how these activities will be secured elsewhere and how the acquired knowledge will be safeguarded." The...
The meeting room in the attic of the building on Brouwersgracht began to fill. Prior to the meeting, Director Geert Dales of the Fonds Beeldende Kunst, Vormgeving en Bouwkunst (BKVB) retreated with the chairman of the Fund Council. He wanted clarity on the role of that Fund Council by now. Where did the representatives of...
In the first version of Explore The North's new website, the builders had forgotten to mention in which city the festival would take place. This has since been remedied with a beautiful 'about us' page, so that even non-Leeuwaars know where to go. The production house cum festival is in the Basic Cultural Infrastructure from the next edition. That means that...
When I think of new music, I have never thought of fun. Rather, you think of seriousness, subtlety, taste to be acquired and listening experiences that you might later find ordinary. But not yet. So this year during November Music, I did laugh a lot. Not roaring (an occasional one), but simply, with happiness. While in the world...
"Strengthening earning capacity is a necessary condition to improve the labour market position of workers in the sector. Martin Verboom is happy to share what came out of the evaluation of the Cultural and Creative Sector Labour Market Agenda in this area. Platform ACCT is forging a coalition with partners in the sector to take up the priorities for the coming years." This was why...
After a morning debate in the Lower House, Cabinet Schoof's tactics are clear. At least, when it comes to the controversial plan to selectively increase VAT on culture. In response to all questions from the House about why, Finance Minister Eelco Heinen replied that it should not be about details, but a "total package". Therefore, he wants...
A piece of music in which the vocal soloist is given a tattoo in the last fifteen minutes, live on stage. In Laura Bowler's Advert, performed by Laura herself together with the Hamburg-based Decoder Ensemble, you can experience just that. Not unexpected when you realise that Bowler trained not only as a composer but also as a theatre maker. She studied after the conservatoire at the Royal...
The drum kit is pop music's most important instrument. German composer Enno Poppe, who grew up without pop music, has a fascination for percussion. A new work can be heard during November Music this year: Streik. Composed for 10 drums. I spoke to the 1969-born composer about this work and his inspiration. Listen to the podcast: What immediately...
Large spinning steel behemoths, mowing blades or relentless hands of a clock, which grind you as a human being if you don't duck, or jump, or roll away in time. There were two of them during Festival Circolo in Tilburg, this year, and it always impresses. It happened at Un Loup pour l'homme in the Spoorpark and at La Chute des Anges in...
I remember it well, it was during a meeting of the magazine industry, sometime in 2012 or 2013. A grave mood hung in the Amsterdam debate centre De Balie, because the circulation and turnover figures of the major magazine publishers (plural at the time) had just been announced. The downward trend that had started years back had nothing to do with the crisis, but...
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