'As for many people, the theatre festival really does mean something. Like the Fringe, it is impossible to imagine without it. I've been able to make artistic friendships there, I've been able to have arguments there, I've met people who I thought were adversaries who turned out to be comrades-in-arms. Because there are not only performances, there is...
Plays often end in chaos. An overturned liquor cabinet, a blood blade among royals, we are used to a few things. Jetse Batelaan's latest play, baroque and sharper than he showed before, also ends in beauty, but then that is actually the beginning. Indeed, the ending is sterile and stripped of any life. But that is where the performance begins. The artistic director of...
Those who fear - by virtue of being white men or women - that the descendants of enslaved people are coming to punish them for being grossly at fault for the consequences of the now infamous VOC Mentality, can sleep a little more peacefully again. During the first day of the Dutch Theatre Festival, Thursday 2 September in Amsterdam, surprisingly conciliatory noises rang out when it came to...
'We thought it would be a good idea, after a year and a half of misery, not to start immediately with the most critical perspective, but rather to emphasise how good it was to be together again.' In this podcast, Marijn Lems and Wijbrand Schaap look back with Guy Weizman at his 'State of the Theatre', the traditional opening of the...
'If you want to navigate in unfamiliar waters, it is good to take a map with you. My father was a fisherman, he hardly read, but that's what he told me. Now that I come to Amsterdam, that's also the first thing I do: make a map. What museums are there, is there a cool restaurant, is there new architecture?
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