Amsterdam, 8 March 2018. Today is Women's Day, no one can fail to notice. The media are brimming with articles about women's unequal pay and their still limited representation in prestigious positions. Whether in politics, business, academia or the arts. Perhaps the most conservative is the classical music world. There, the female composer has yet to...
In February 2017, The Collective combined the radical music of Galina Ustvolskaya with the heavenly chants of Hildegard von Bingen. Less strange than it seems, as both were deeply religious and composed from inner necessity. On Thursday 26 October, Spectra Ensemble places Ustvolskaya alongside Karel Goeyvaerts at Muziekgebouw aan 't IJ. Ustvolskaya is well enough known here in the country by now, but who was...
Almost a millennium separates nun Hildegard von Bingen (1098-1179) from Russian composer Galina Ustvolskaya (1919-2006). The former created heavenly chants, the latter hammered on a coffin. Yet on Thursday 23 February, they are together at a concert by the Flemish ensembles Het Collectief and Psallentes at the Muziekgebouw aan 't IJ. Two reasons why I think that is a wonderful combo...
In 1989, the Holland Festival placed composers from the Soviet Union at the centre. The music of Galina Ustvolskaya and Sofia Gubaidoelina hit like a bomb. The ladies proved to be here to stay, although they move at two extremes of our perception of sound. Ustvolskaya pounds her message into our eardrums with monomaniacal drive, Gubaidoelina intoxicates us with mysterious rustling and whispering sounds. For me,...
5:Echo, choreographer Nicole Beutler's most recent production, is a curious show. All focus is on two famous pioneers of Dutch dance in the 60s and 70s: Ellen Edinoff and Bianca van Dillen. Yet Echo mainly shows how impossible (and perhaps undesirable) it is to want to revive past glories. Dancer Kelly...
For seven years, Thea Derks worked on her biography of Reinbert de Leeuw. And it did not go unnoticed. Except for the reaction of the person portrayed, unanimously rave reviews and soon a second printing. Rightly so, because the book offers an indispensable description of modern music in the Netherlands, with many composer portraits and an understandable leading role for Reinbert de Leeuw.
Today, Leporello Publishers in Amstelveen published my long-awaited biography Reinbert de Leeuw: man or melody, on which I worked for more than seven years. The book is on sale at several bookstores in Amsterdam and can be ordered through any bookstore in the Netherlands. When I attended a concert conducted by Reinbert de Leeuw in early 2005, I discussed with a number of...
Reinbert de Leeuw turned seventy-five last September, but already in May the VPRO honoured him with three full-length broadcasts on Radio 4. Together with Aad van Nieuwkerk, I made a selection from his best recordings of Kagel, Ustvolskaya and Louis Andriessen, among others, about which I also let him speak. This was followed in September by a real Reinbert festival and his own magazine. The magazine not only highlighted him...
The collaboration between pianist Tomoko Mukaiyama and choreographer Nicole Beutler in the performance 'Shirokuro', seen last week at the Holland Festival, provides a beautiful perspective on two piano sonatas by Galina Ustvolskaya. 'Shirokuro' means black and white in Japanese. Despite strong visuals and impressive co-protagonists on stage, the Russian composer's absolute music is never explained and therefore retains its sheer power.
On 8 September next, pianist, composer and conductor Reinbert de Leeuw hopes to turn 75 and this will be celebrated with a range of events. These include a three-day festival dedicated to him in The Hague and Amsterdam at the end of September, and next season he will be
Holland Festival ,,I like to use the word 'Gesamtkunstwerk'. Light, space, matter, body, sound: it all belongs together. Each aspect forms an essential part of the whole."
Choreographer Nicole Beutler prepares with pianist Tomoko Mukaiyama and
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