Soesterberg Air Base is full of large hangars, sheds and other massive buildings. All dream locations for theatre-makers, it seems. Director Ilmer Rozendaal made a different choice for her performance Thousand Yard Stare. She placed the solo in a small, airy oak forest containing an old and dilapidated bunker. The timelessness of this place turns out to be ideal for her small and human...
Arts organisations are subsidy-addicted and so we are withdrawing subsidies. The VVD's approach is clear. On the exact how, they appear to need to think longer about that, now that there is so much opposition from the country. Cold Turkey, the treatment proposed by tolerance partner (nice word in this context) PVV, could well result in deaths. To...
'And why do all these art institutions have to open on Mondays, Tuesdays, Wednesdays and even Thursdays? I don't understand that. I'm far too busy working on those days.' Just a question during the Paradiso debate,
Turntables and theatre have something in common. Especially in recent years, theatre-goers increasingly run the risk of facing a so-called rotating stage. After Johan Simons made use of this technical style figure in his direction of Hiob at the Munich Kammerspiele and Christoph Schlingensief made the stage turn spectacularly in his swan song Mea Culpa, it is now...
With a few creative friends and a nice budget, romp around in a playground of many tens of acres of pristine nature. Surrounded by the remains of military might. It automatically makes you talk riotously. But that's how it goes sometimes. With art. So, to get right to the point: cuts are not always bad. For instance, divesting the...
National Theatre Week is new and very small. And, oddly for a small festival, advertises big on its site with the logo for the Home Shopping Guarantee. This raised questions. Because clicking on the logo for the guarantee produces a very different result. Criminal is not, by the way, if you use the logo of Thuiswinkel-waarborg without...
For another 15 years, the Delft Chamber Music Festival, so named to reflect its international character, has encompassed 15 years. Violinist Isabelle van Keulen handled the chamber music festival's programming for the first ten years, Lisa Ferschtmann - also a violinist - took over from her five years ago. But even this already successful festival fears the upcoming budget cuts. A pity, because what...
Rain, rain, rain. That looks bad for the festivals. Right? "Weather has less of an impact on a festival than people think," says Noorderzon's Mark Hospers. And they should know. Last year they had a lot of rain, and at the same time sold a record number of tickets. How is it that bad weather seems to bother the festivals little?....
Holland Festival, Julidans, IT's, Over 't IJ. End-of-season theatre is always strewn across Amsterdam. Between April and September, international performance offerings migrate from Utrecht (Springdance and Festival aan de Werf) via Amsterdam to Rotterdam (Internationale Keuze). If you want to experience something of contemporary, international dance, Springdance, HF and Julidans are the places to be. [For...
Clever, of course, but also perilous. Although - hanging over the abyss - there will be little else to do, but turn the TIN (Theatre Institute of the Netherlands) into a Performing Arts Museum. From 2013, because then the Ministry of Education, Culture and Science's money tap will close. In doing so, the institute will implement a rescue plan that will at least save the collection. Whether this will also save the...
Photo: Pierre Nydegger To conclude. The 2011 Holland Festival could well be historic. Not only was it the festival that attracted the most audiences for years, it was also the festival that took place while a minority government of populists, nationalists and materialists proclaimed the end of art subsidies. We therefore look back on a festival in which we were able to meet with...
Sponsorship repels audiences. That could be a conclusion of the research carried out at Oerol by Inholland's professorships Media, Culture and Citizenship and Media and Entertainment. With the central question "How can Oerol survive without government funding?", they are exploring the audience's reaction to commercial expressions. "The question is how to apply marketing strategies without...
In conclusion. The 2011 Holland Festival could well be historic. Not only was it the festival that attracted the most audiences for years, it was also the festival that took place while a minority government of populists, nationalists and materialists proclaimed the end of art subsidies. We therefore look back on a festival in which we had a great time with our new...
The Utrecht Games (DUS), with its successful production August Oklahoma, immediately wins three nominations for the theatre awards to be handed out in September: Ria Eimers for best female lead, and Peter Bolhuis and Tjitsjke Reidinga compete for the prizes for best supporting actress. Percentage-wise, however, much more successful than DUS is De Kus, a production by Hummelinck Stuurman, because there the...
We are not big on copying press releases directly, but this one accidentally slipped in. For those who didn't know it yet, but tout art is going loopy on Sunday and Monday for the preservation of sanity in the Netherlands. Although that will have no effect on the architect of the cut, PVV member Martin Bosma. Even the cultural sector in Limburg (Geert...
The Dodo was busy, this third week of the Holland Festival. Thankfully, again with an exciting mix of beautiful, weird and extraordinary. As it should be, really. What makes the Holland Festival all the more exciting is that such extremes can sometimes take place within one programme, as with the National Ballet, or even within one performance, as with The Russians...
Could Prime Minister Rutte cum suis's anti-advertising by dismissing art as destined for leftist types and other idiots already be having an effect? You would almost think so when you see the rather poorly filled halls during the performances at the Holland Festival. There are more than ten people in the front row, yet it all doesn't hold...
The ark as the earth, as a spaceship carrying us through the chaos of the universe to a safe haven. The pole star as the apparent magnetic centre of the universe around which all the stars revolve. No, this is not woolly new age chatter, these are the starting points for Tevot and Polaris, two major orchestral works by Thomas Adès, which had their Dutch premiere under the composer's own direction.
'Labyrinth' is the name of Sidi Larbi Cherkaoui's choreography. Mazes intrigue because you can get lost in them and then insist on finding the exit. Along the way, a person then has all kinds of revealing experiences about himself. But Cherkaoui does not get to this passage. He immediately starts with symbolism. A dancer holds a wide band that goes from the stage house to...
Papageno showed off without his feathers last night. Indeed, the entire direction of Une flûte enchantée was an unadorned pleasure. Sober. Integral. You can't get a Dutch audience wilder than with such an approach. Compliments, then, to Peter Brook. At the Muziekgebouw aan het IJ was the Dutch premiere of Brook's adaptation of Mozart's Die Zauberflöte. The production turned...
Actors wearing sort of harem trousers and bamboo sticks on a nondescript playing surface. Some of you may think back nostalgically or with trepidation to the days when there were 'Akademies voor Ekspressie' in the Netherlands. Summits of socio-art. Sometime deep in the 1970s, that is. Maladype Theatre, from Hungary, fits seamlessly into that picture, which...
With the battle between Titans and gods on Mount Olympus, Xenakis opens 1234, a mini-festival in the great Holland Festival. In four concerts, spread over two days, it features Iannis Xenakis central. There is also an extensive exhibition dedicated to the Greek composer, who was a mathematician and architect by birth.
You can hardly take your eyes off the feet. The dancers make busy, fast steps and yet their bodies seem to glide across the stage. It exudes something of perfection. In 'Birds with Skymirrors', you constantly get the feeling that the bird world has been the model for the movements. Trembling hands are reminiscent of wingtips, vulnerably scanning the skies....
Dying young turns out to be advantageous not only for skywalkers like Buddy Holly, Sam Cooke or Jesus. Even in a rather elitist world like that of German theatre, you can achieve star status through an early death. At least that happened to Christoph Schlingensief, the man who died of lung cancer in 2010. The man had already achieved stardom throughout the German-speaking world,...
That was a bit of a grind for British theatre critics. The celebrated director Deborah Warner (1959) recently pulled Richard Brinsley Sheridan's The School for Scandal out of the closet. A play from 1777, and an untouchable part of the British theatre canon. Building on the style of her earlier production Mother Courage (2009) Warner also indicated The School for Scandal - goddamn - a quirky, contemporary twist.
"With many video, light, music and noise - like a rock concert, " grins Warner in the office of the Barbican Theatre In London. "Mother Courage had an incredibly populist, exciting atmosphere. I love that arrogant theatricality immensely, and I wanted to continue that style in The School for Scandal. For me, the big challenge was to explore the Brechtian theatre style of Weimar - which I got through Mother Courage had discovered again - to collide with an eighteenth-century theatre text."
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