Jan Gielkens has won the Filter Translation Prize 2016 for his translation of The Words of Grimm by Günter Grass. The prize of ten thousand euros rewards the most exceptional translation achievement of the past year. Grass's novel, published last year by Meulenhoff, places high demands on the reader and the translator, the jury felt. 'Deftly navigates Gielkens'...
The longer I walk around in the theatre industry, the more I find out that these so-called crisis in the performing arts is not down to the people who make theatre, nor to the people who may or may not come to watch it. Good will is omnipresent. The only real cause for a breach of trust between actors and audiences that I can point to is the nineteenth-century invention we call 'theatre'. Let me explain.
Scattered through the main hall of museum Beelden aan Zee in The Hague are enormous works, mostly consisting of ribbon and used car inner tubes. There are also canvases hanging on the wall, again full of colourful ribbon embroidery. These canvases are more sculpture than painting. They are the work of South African Nicholas Hlobo. Images by the Sea, under the title Imilonji Yembali (Melodies...
Three mongols playing Mongols. Dschingis Khan, the opening performance of Something Raw, is provocative and consequential. With this performance by German theatre collective Monstertruck, or the also Berlin-based Man Power Mix by Sheena Mcgrandles and Zinzi Buchanan, the festival Something Raw lives up to its name. Something Raw is a festival in which Amsterdam theatres Frascati, De Brakke...
Next time, there will be 10 people queuing for a hotseat, 100 online viewers and dozens of live spectators in the foyer. At least I hope so, because only then will experimenting with new forms, apps and devices make sense, of course. At the second Winternachten night, Saturday 16 January at the Theater aan het Spui, we had slightly fewer viewers than...
Always nice when someone sets up a committee to solve all the problems. The Dutch theatre sector did just that a few months ago. Led by former minister Guusje Ter Horst, Rinda den Besten (former Utrecht alderman), Sadik Harchaoui (Forum) and Ryclef Rienstra (VandenEnde Foundation) examined what could be better in the relationship between theatre and the...
The first IDFA tip of the day is immediately a double bill and both films are decades old. They are in the top 10 of Errol Morris, this year's chief guest. Las Hurdes - Tierra sin Pan by Luis Bunuel is a half-hour film that made documentary history. Bunuel was also known then for Un...
No war scares or torturous refugee issues tonight 5 November, but getting unexpectedly intimate on stage with a strange woman. That could happen to you during Dancing on the Edge. The congenial, biennial festival featuring artists from the Middle East and North Africa can be seen in several cities until 14 November. Once started by race entrepreneur and dancer Gary Feingold, the...
As I wrote in my earlier article about the Nederlandse Dansdagen, choreographer Loïc Perela won this year's Nederlandse Dansdagen Maastricht Prize. It earned him 12,000 euros to put into his new project HASHTAG. The award has helped some previous winners on their way (Monique Duurvoort, Joost Vrouenraets, Erik Kaiel, Muhanad Rasheed, Joeri Dubbe,...
Many theatre practitioners secretly beg for the introduction of corporal punishment for schoolchildren with CKV. After all, schoolchildren with CKV are bent on ruining the lives of actors. They are assisted in this by disinterested teachers, who on their nights off are more concerned to please their pupils than the providers of culture. As a compromise, ...
Early this year, it still looked like the monumental and striking Main Post Office on Utrecht's Neude would stay closed for good. There was even talk of a sale to a private individual who would build luxury flats in it, thus permanently obscuring the hall of the people, where many a Utrechter once cashed her cash cheques...
Eating on stage. That's the standard 'Theatre Dinner', but more exciting. Especially if Shakespeare's Richard III is played during dessert. Toneelgroep Oostpool, the Arnhem-based company that has been going strong in recent years with striking performances, goes one step further again in exploring the ultimate audience experience. Sjim Hendrix, not only a cook, but also an artist and...
We had already announced it. This period is all about positive framing by the arts sector. Good news has to be spread, although people don't really know why. After all, there are no shareholders to be kept happy, only concerned art lovers. Enfin. On Wednesday 9 September, NRC journalist Daan van Lent presented the result of an investigation into the...
Theatre festival Boulevard has a theme. This is new, and actually unusual for a large-scale festival like the one in Den Bosch. After all, how do you find so many performances for those claimed 120,000 spectators that are all about that same theme? The solution is simple: you don't have to. You can also attach a theme to a few appealing performances and a single part...
That you wake up at night and there is a full-blooded hipster sitting at the foot of your bed. One of those whose beard has two ragged tips, whose hair is in a messy bun and whose right ear has a tuft of hair bulging out of it. This pretty much sums up my worst nightmare. Well struck, then, by Lisah makes Roozemoes, to...
Three days of classical music among the trees and cows. Festival Wonderfeel presented a unique classical music festival last weekend from 24 to 26 July, under the smoke of 's-Graveland. Top musicians from home and abroad gave dozens of concerts. Lectures were given and, as befits a festival, there was also plenty to eat, drink and...
Last night Nazmiye Oral, together with a large group of Turkish colleagues, played the performance Niet Meer Zonder Jou for the third and, for now, last time. It is an intimate and overwhelming theatre production by Adelheid Roosen, Female Economy & Zina, co-produced by and performed during the Holland Festival at Broedplaats De Vlugt, far west in Amsterdam-Slotermeer. Tearing die Nazmiye Oral calls...
Had Anton Chekhov lived now, he would have written for television. Not drama, and certainly not film. Indeed, innovative as the great Russian playwright was during his short life (1860-1904), he would now have done something with selfie sticks and contact microphones. The result would probably have been something like what Brazilian artist Christiane Jatahy has now created. She took the text...
Manger, the new performance by Boris Charmatz and Musée de la Danse, gives spectators all the space they need. Where you line up to watch or just to listen, who or what you watch and for how long, is up to you. The Purification Hall on the Westergasfabriek site, majestically empty and echoing, creates a wondrous atmosphere in this for Charmatz'...
The money at HET Symphony Orchestra has run out. Despite all the extra millions from the province and after years of writing off tons of general reserves, the end is in sight. And so the orchestra is scrapping concerts, will be seen less in theatres in Deventer and Zwolle, stops CD recordings and shuns any risky performances. To keep the...
No foreign performances at the sixth PopArts festival. Are the budget cuts making themselves felt? The festival programmes internationally every other year, and this year it is staying close to home. With Nicola Unger, there were the other Dutch 'usual suspects' like Duda Paiva and guest artists from the Ulrique Quade Company. But the De Krakeling and the Ostadetheater also featured young makers...
Thijs Borsten blurs boundaries. Under the slogan 'The Challenge', he puts completely different artists on stage together. After years of struggling, the concept is now being embraced by media and audiences. Thijs has a chance of winning his 6 minutes of fame in DWDD in the near future. Bringing artists from different cultures together and labelling such a thing as a 'challenge';...
The children introduce themselves one by one. They build sets, make music and play scenes. A catastrophe is imminent. They speculate loosely: will it be a nuclear or biological attack, a plane or a missile, a tsunami or a bombing? In Next Day, shown last weekend at Theatre Frascati, they rehearse an attack by 'aliens'. That...
'Do you not agree with me that many of you - like members of Roman Catholic curia - are already trying to make yourselves immortal and indispensable? That you are suffering from severe mental and spiritual petrification?' Kees 't Hart measured himself a papal role on Sunday 18 January, when delivering The State of Dutch Literature,...
Drama reviews mainly fill a need among artists and journalists. Newspaper readers hardly use them. In London, this has been studied. Only 36 per cent of theatre-goers say they read reviews. Much more value fans place on tips from friends and family. Last Saturday at Amsterdam's De Balie debate centre, there was a discussion between theatre-makers,...
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