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'Already depressed when the sateh is finished.' Lineke Rijxman on 'The Freudjes' by Mugmetdegoudentand.

Update: performance The Freudjes has been postponed for now, until probably later this year.

'I think it's theatre. Psychoanalysis is theatrical.' Lineke Rijxman is fascinated by psychiatrists. Not because she walks through their doors herself, but because psychiatry is a rewarding subject for someone who makes theatre. That is why it had to happen: a play about Freud. But not about Sigmund himself, or his family. The play "The Freuds (No Family)' is about three sisters in today's busy life overflowing with pills and abbreviations. 'We talk about depression so easily. You already say you get depressed when you run out of chicken satay at the butcher's.'

Lower chamber talked about art. We followed the debate for you

We kept a liveblog. Nice and old-fashioned, from the days when every month there was uproar somewhere about the government's handling of art. Now there is peace in the tent, as the PVV sardonically points out, because 'The Left' is now the bearer of policies devised by the PVV. The PVV predicts a black future for 'The Left' once the PVV comes to power.

The National Theatre prevented Stopera from becoming The National Theatre

It would have been so nice: The National Ballet together with The National Opera at The National Theatre, like you have in the capital of any self-respecting country. But so that didn't happen. The home of our National Opera and Ballet clubs is now called 'Nationale Opera en Ballet'. The National Theatre made sure of that, which, like the Nederlands Dans Theater, is not in our capital Amsterdam, but in its residence in The Hague.

Two concentrated chickens and something with Chekhov at @hollandfestival

Holland Festival Holland Festival

Seagull, an early play by Anton Chekhov, is about drama in the same way that his equally famous play Cherry Garden is about cherry growing or real estate fraud. Not so. It seems to be a mistake that stage artists often make and that Chekhov cites in his 115-year-old play: thinking that everything is always about you. Which is why Thomas Ostermeier, lauded German director, cannot be blamed for the fact that his direction of The Seagull at Toneelgroep Amsterdam is about theatre.

Simon Stone adapts Ibsen for Australians: 'And why would you even go to the theatre if you live in Sydney?'

Holland Festival Holland Festival

Simon Stone (28) wrote a new play based on Henrik Ibsen's 1884 stage classic The Wild Duck. The Swiss-born Australian provided the Norwegian play with entirely contemporary language and dressing. The actors sit

The best woman in the best place: Ellen Walraven director Rotterdam Schouwburg

This was a possibility not many people initially thought of. After all, after her tropical years as director of the Amsterdam debating centre De Balie, Ellen Walraven was in need of some more substantive work and peace and quiet on her mind, So we suspected that she would stay on in

Ivo van Hove is God. According to New Yorkers.

Anyway: while Amsterdam's city newspaper Parool was embarking on a campaign against the Dutch capital's city company at the behest of the Flemish publishing board, the same Toneelgroep Amsterdam was winning the hearts of New York audiences with a production of the already years-old 'Roman Tragedies', which a few here did not even like overall: http://www.wijbrandschaap.nl/2007/06/romeinse-tragedies-hf2007ta/

DUS retains grant, leadership leaves

The Netherlands' most striking company when it comes to handling grant money has been saved. The Theatre newspaper reports that the central government has agreed to the new adjusted budget, which had to be prepared after earlier this year a loss of over 2 million euros had arisen. So the company keeps the one and a half million euros and artistic director Jos Thie and his business partner Jelle Snijder are chased out of the city with pitch and feathers, where they can join the Supervisory Board that had already turned a little too blind eye. After all, putting in an overpriced production to make up for the deficit from an earlier run of that same overpriced production: no entrepreneur would ever allow that.

Eric de Vroedt: 'Eventually reached Obama too'

Winning two awards in one weekend, that doesn't often happen to a person, not even in the award-winning art world. Eric de Vroedt is a theatre-maker and writer to whom it has thus happened. Entering his final season 'MightySociety' he got the Amsterdam Prize (35,000 euros) and the Prize of Criticism (a statuette), determined by a jury of newspaper reviewers.

'I have all of Shakespeare's records in my cupboard'

The press presentation of the open-air opera Orfeo ed Eurydice at Soestdijk at the time attracted just under a hundred people press and sponsors. At the presentation of the performance 'Much ado about nothing', The Utrecht Games attracted only a handful: someone from weblog cultuurpodium.nl, two people from the Stadsblad Utrecht and an indeterminate camera crew who had come exclusively for Suzan Visser.... 

Fedja van Huet's lost dinner jacket and other Toneelgroep Amsterdam mysteries #HF12

Anyone who might think that making a stage show is a simple one-two punch of a genius director with a good team of creatives and perfect actors is wrong. Only, as a spectator once attending the performance, you don't notice any of that. And that is just as well. You come for the performance and you won't care if... 

Blood-soaked Macbeth fits festival theme perfectly but fails to touch #HF12

Imagine Arjan Robben. The much-troubled frontman of the Dutch national team has just seen a brilliant move rewarded with a penalty and he is ready to take it. Out comes a field hand with a new set of adhesive letters for his shirt because the numbers are no longer legible from the stands. Lots of lashing, shirt off, seconds glue. Circumstances, in short. After two minutes, the fielder is gone, the number readable and the referee's whistle sounds. Then try to hit the target.

Tjitske Reidinga launched as star of new summer programming Amsterdam Delamartheater

The general public knows her as the rock-hard lawyer Claire from Gooise Vrouwen. Tone lovers have known her longer as that actress with the striking voice. A diplomat's daughter, born in Africa, later raised in Bussum. Tjitske Reidinga now dares to come forward:

first reading of lost O'Neill piece

Connoisseurs know: often actors spend two months rehearsing a play with only one goal in mind: to recover the freshness and surprise of the 'first reading'. After all, at that first reading, actors hear the text for the first time from their colleagues, read the words aloud for the first time, and everything sounds new and unexpected.... 

5-hour marathon Roman Tragedies favourite with spectators Toneelgroep Amsterdam

We were somewhat mildly ironic about it, but hats off, meanwhile, to Toneelgroep Amsterdam's PR department and the audience, who responded remarkably well to the 'choose the reprise' campaign the company launched a few weeks back. We have the hard numbers we feared we would never see. And they are credible. We quote the press release: From 2 to... 

Top or flop: audience picks repertoire first theatre company in the Netherlands

We got another press release, and wondered: top or flop? How does idiosyncratic artistry rhyme with audience-determined repertoire choice? Andne: do all those people who chose the winning piece also get a free-or at least discounted-ticket to the performance of their choice? Andne: who checks the results, as there is no notary. Enne:. 

Culture day: not a penny for Oriëntalis, no brake on Amsterdam cutbacks and Vlissinger library unsaleable

State secretary does not give museum park Orientalis a cent (...) Interim director Peter Berns had asked Zijlstra, state secretary for Education, Culture and Science, for a one-off subsidy of six million euros. The province of Gelderland is willing to make a one-off contribution, if necessary, but only if the government also comes over the bridge. So that is not the case now, confirms a disappointed Berns. Source:... 

Halbe Zijltra loves his job more than the ministry dares to show

That Martin Bosma, culture spokesman for the PVV, wants to withdraw the subsidy to Toneelgroep Amsterdam because that company plays works by 'enemy of the people' Tom Lanoye, was not even the most bizarre incident of the culture budget debate on 21 November 2011. More bizarre, too, than the PVV's demand for the establishment of a Colonial Museum celebrating the glory of 'Our Indies',... 

Distress call for theatre school Roosendaal at last minute, arts venue Veenendaal scrapped Discount news from all regions

(...) The Youth Theatre School Roosendaal received a project subsidy of 36,779 euros from the municipality in 2010 and 2011. The school also fulfils a regional function. Forty per cent of its 330 pupils come from the surrounding villages. The proposal is to end the subsidy from 1 January. It was only this week that this apparently dawned on Hofplein's management. Which immediately started a... 

As of 2013, the art scene in Amsterdam looks very different.

Now then. 6.5 million goes off subsidised institutions. In Amsterdam. Qua municipality. The state was already doing away with just over 40 million, leaving 36 institutions in dire straits. Now Amsterdam has decided to keep at least 13 named institutions. Should we think of Toneelgroep Amsterdam, the IDFA, Holland Festival, Concertgebouw and the Muziekgebouw... 

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