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43rd Rotterdam Film Festival celebrates 25 years of Hubert Bals Fund with opening film Qissa

9,000 euros was the amount with which Indian director Anup Singh's Qissa got off the ground a decade ago. That money came from the International Film Festival Rotterdam (IFFR) affiliated Hubert Bals Fund (HBF), which has been supporting filmmakers in developing countries for 25 years now. Last night, Qissa opened the 43rd edition of the Rotterdam festival. This makes the port city world capital for independent film for ten days, as business director Janneke Starink stated at the opening in the Doelen.

Province investigates: 'Utrecht worth 1 billion more thanks to arts sector'

Art costs money. The current Rutte administration has hammered that into it: it's expensive, no one but a small club of insiders goes there, and either way those are leftists or pseudo-leftists who can easily pay for it themselves. So much for the government's opinion. The opinion of the art world can be guessed: it is... 

The soup in The Hague is being eaten hotter than it is being served: 'no pass in 2013′

This message has since been confirmed by the Halbe Zijlstra on 14 March. We thank our source for being accurate. We once again visited our trench-coat-clad coughing chain-smoker in his Hague car park. Because there had been no news from The Hague for another week, and with the elections so close to the door, that's always... 

'There are provinces where you can vote VVD or CDA just fine'; new website gives voting tips to art lovers

It looked like a party. Coffee and flan, a Maastricht song, brass band music and a speech by Prince Carnival. Optimism surrounded the launch of the website nadeschreeuwnudestem.nl on 21 February. Surely the cry for culture in November was mainly a voice of dissent. Now there is a chance to take forward-looking action. 'Mobilise everyone you know to join the March 2... 

Column: "As soon as they start embracing art in the PVV, right-thinking people should start watching out."

The Hague is quite complicated for those who do not visit it on a daily basis. I was there last Monday, as a spectator at the discussion of the culture and media budget, and it has taken me until now to fully understand what is going on. For that understanding, being there live was essential. After all, to understand a social system like the Lower House, you not only have to listen to what is being said, and see who is speaking, much more important are the 'listening shots': the body language and actions of those who are not speaking.

Thanks to Elfriede Jelinek, since 9 June we know a little better what it is like to be Austrian. #hf10

 By Wijbrand Schaap (photo Arno Declair) Since Wednesday 9 June 2010, the Netherlands has been looking a bit more like Austria again, although with us the mountains are in the southeast, instead of the west. And there's another difference: we are still allowed to see the stage work of Austrian Nobel laureate Elfriede Jelinek, while the stern writer's work in her... 

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