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halbe zijlstra

10 viral stories from Culture Press for 235,000 real readers

Always start with the good news. The Information Department of the Ministry of Education, Culture and Science did a very good job in 2014. They sent one jubilant press release after another into the world. While there was actually hardly any good news to report. About culture. But because there are a lot of lazy journalists, good news often goes in a... 

Should Halbe Zijlstra apologise only to Overijssel?

Ten per cent fewer performances and ten per cent fewer visitors in Overijssel headlines RTV Oost. Bam! That chops it. Into the bin, that jubilant press release by Jet Bussemaker. And if there is one province that does not need to apologise to Halbe Zijlstra, it is Overijssel. Well, we reported earlier that apologies are not necessary anyway, but as a province... 

logo Netherlands Association for Performing Arts

Reason 6 for no apology to Halbe: 'Premature, tendentious and damaging to the sector'

The distinguished part of the arts sector is also reacting furiously to the VVD's statements, chronicled by De Telegraaf this morning. This brings the number of reasons for the sector not to apologise to Halbe Zijlstra to six. Whereas we previously gave five reasons, the Dutch Association of Performing Arts now also declares that we are only in the course... 

In advance, 5 reasons why no one needs to apologise to Halbe Zijlstra.

Volgens de VVD moeten alle kunstenaars en kunstliefhebbers van Nederland ‘sorry’ zeggen tegen Halbe Zijlstra. Omdat ze zo boos op hem zijn geweest, toen hij zonder enig achterliggend idee 30 procent van de kunstsubsidies afschafte. Volgens het ministerie van Cultuur zou het namelijk fan-tas-tisch gaan met de kunst in Nederland. Wie het persbericht leest dat het ministerie daar gisteren over… 

Sallie Harmsen and Joris Smit in Tasso (photo Kurt van der Elst)

Drama about art: to do or not to do? Ivo van Hove and Sallie Harmsen think so.

The National Theatre will premiere Blueprint for an Even Better Life on 8 November 2014, which addresses, among other things, the position of artists in society. A theme that also featured in their recent Tasso, and in Toneelgroep Amsterdam's successful The Fountainhead. Is the subject of art back on the theatre agenda due to the changed cultural politics of the past... 

Photo: Wijbrand Schaap

Joop Daalmeijer Marathon (closing): 'But who knows anything about it? They are all generalists sitting there.'

Wijbrand Schaap: ‘De amateurkunst. Ik heb zelf de bezuinigingen aan den lijve ondervonden bij het Utrechts Centrum voor de Kunsten in Utrecht. Eerst is daar in 2001 al zwaar op bezuinigd onder Leefbaar. Dat hebben ze overleefd, en nu waren ze er net een beetje bovenop…’ Marathon-interviewNaar aanleiding van de ophef rond Melle Daamens opiniestuk over het kunstbeleid zijn we… 

Joop Daalmeijer Marathon (3): "The arts sector should have reached out to consumers"

Wijbrand Schaap: ‘Er is veel te doen geweest over de verandering in de houding van Raad onder uw leiding. Na de confrontatiekoers onder uw voorganger Els Swaab, leek u aangesteld door Halbe Zijlstra om als een soort applausmachine op te treden.’ Marathon-interviewNaar aanleiding van de ophef rond Melle Daamens opiniestuk over het kunstbeleid zijn we uitgenodigd voor een ‘gesprek over… 

Photo: Wijbrand Schaap

'Cuts do lead to loss of quality' The great Arts Council interview (1): "Patronage is, of course, bullshit."

Joop Daalmeijer: 'I never authorise. I find that such nonsense. A journalist should just do his job properly.' Wijbrand Schaap: 'We agree on that then. We write up everything in full, but because conversations about everything tend to be endless, I want to hang it on the Culture Exploration. That's the most concrete piece and the most topical, and it... 

We will talk to Joop Daalmeijer. Did you have any questions?

We're going to talk about everything, because Joop was a bit fed up. All this criticism of the Council for Culture. That on his leadership it had degenerated into Halbe Zijlstra's lapdog, and that Jet Bussemaker laughs out loud at them. And that they conduct discussion behind a paywall. That's why we're going to talk to Joop Daalmeijer. The President. We agreed... 

'Grandiose' opening Theatre Festival doesn't quite take away the pain

"Grand opening, right?" Jeffrey Meulman, the man who as director of the ailing Theatre Festival gave the word "inspired" a new dimension, was delighted. It was Thursday night, September 4, 2014. Shortly before, I had seriously considered jumping from the 1st balcony of the Stadsschouwburg, rather than applauding Tauerbach, the opening performance of The Theatre Festival. It is... 

Melle Daamen on @culturepress: 6 reasons why the arts debate in the Netherlands is so laborious.

I published two articles in NRC Handelsblad last year. The first (6 July 2013) was critical of government policy. There was little reaction to this. The second article (7 December 2013) was critical of the arts sector: it needs to make its own sharp choices. That did cause a stir, although I am convinced that many colleagues largely agree with the content... 

8 million for talent development, but 4 tough problems remain

Culture minister Jet Bussemaker can again make up for the cultural devastation caused by her predecessor Halbe Zijlstra. As promised earlier, money will be freed up for talent development. This was a demand of the chamber and a wish of the country. Are we happy? Of course. Although happy, there are also a few things that remain troublesome. [Tweet "1 Develop... 

Deventer seeks one boss for not a museum, but a story

Wie kan het verhaal van Deventer vertellen? Solliciteren mag. En als je de commissie weet te overtuigen kun je voor drie jaar een aardig salaris toucheren. Als directeur van het eerste museale productiehuis ter wereld.
U leest het goed. Kort nadat de VVD samen met de PVV de eigen vaderlandse cultuur om zeep hielp door onder meer alle theater- en muziekproductiehuizen van de begroting te schrappen, komt Deventer met een 'museaal productiehuis'. Want, zo zegt deze stad: ambities om een groots en m...

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One and a half million for art. Provided it is directly demonstrably useful

One and a half million euros sounds quite a lot. So a cry of joy will be heard here and there now that Jet Bussemaker is allocating that extra amount to culture. After all, this is yet another make up after the almost 300 million her ministry took from the sector earlier. However, the conditions the culture minister attaches to the money tell a different story: the money is only for art that is demonstrably useful.

Why the National Ballet should stay and Melle Daamen should become chairman of the Culture Council.

Update
Meanwhile, in NRC Handelsblad reacted somewhat panicked to the opinion of Melle Daamen, whom he calls an impatient entrepreneur: "You can imagine structurally subsidising two instead of four dance companies anymore. The other two could apply for grants for projects from the Performing Arts Fund, which should then get more funding."

Rutte and Bosma don't do vision or substance and bend culture debate to their will

Culture debate 2013: Rutte and PVV shake hands. It was about Caro Emerald. About Zwarte Piet. And the classic: subsidy on opera tickets. And briefly about carnival. And it made all the news. Geenstijl. Radio 1,2,3 and 4. What else was the debate about? Um... no idea.

Lower chamber talked about art. We followed the debate for you

We hielden een liveblog bij. Lekker ouderwets, uit de tijd dat iedere maand wel weer ergens onrust was over de manier waarop de regering met kunst omging. Nu is er rust in de tent, zoals de PVV sardonisch opmerkt, omdat 'De Linksen' nu drager zijn van het beleid dat door de PVV is bedacht. De PVV voorspelt een zwarte toekomst voor 'De Linksen' zodra de PVV aan de macht komt.
Hieronder vindt u onze updates, die een beeld geven van een kamer die nog steeds niet echt weet waar het in d ecultuur ove...

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Turning back the clock 26 years. Four questions and one answer on Bussemaker's letter

Jet Bussemaker is satisfied. For the next few years, there will be little whining about the subsidies under her regime. She states this in her letter this weekend. After all, the basis of the system is fixed: there are great museums, symphony orchestras, opera and theatre clubs whose subsidies are cast in concrete. Or rather carved from classical marble, because money gets you

Asscher gooit spaarpot flexwerkende kunstenaars in bodemloze put

Een verlaging van de ww-premie besteden aan een regeling om meer mensen aan het werk te houden, gaat niet door omdat er steeds meer mensen werkloos worden, waardoor de premie omhoog moet. Zie hier het positieve effect van bezuinigingen door de regering. Hoe minder je uitgeeft, hoe dieper de problemen, hoe minder je kunt uitgeven, hoe erger het wordt, hoe minder je kunt uitgeven. En de kunst mag dat weer als eerste duidelijk maken.
De kunst was toch gespaard?
Dat de kunst beter af is onder Rutte ...

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'Figure it out with your books': Bussemaker does a Silk Road trick

Wie de collectie van de bibliotheek dan zo belangrijk vindt, moet maar zien hoe die het behoud ervan financiert. Dat zegt cultuurminister Jet Bussemaker in antwoord op vragen van kamerlid Bergkamp (D66). Bergkamp had deze vragen gesteld naar aanleiding van het bericht dat de collectie van ná 1950 door het ministerie niet tot het erfgoed wordt gerekend, en dus shreddable is.
In haar antwoord herhaalt Bussemaker haar eerder ingenomen standpunt, maar eindigt ze haar beantwoording met een uitspraak ...

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Tristan und Isolde at Reisopera, something special happens here

A Brünhilde who does not burst into flames but endures the Götterdämmerung with a baby in her arms, a Senta who does not jump off a cliff but is shot by Erik together with the Holländer. No one really looks surprised anymore. And Isoldes who do not die in the Liebestod are no exception, but Tristan who rises from the dead, as it were, by Isolde's notes reaching into heaven, stands diagonally behind her and sings along soundlessly?

Performing arts promotion office kaputt

We are far from having all the info, but we have enough by now: the Bureau Promotie Podiumkunsten (BPP), funded by the Association of Theatre and Concert Hall Managements, is quitting as of 1 October. Reason unknown, but surely the malaise in the cultural sector, and especially the performing arts, will have something to do with it.
Eerder werd al bekend dat de  Nederlandse Associatie van Podiumkunsten, de NAPK, vrijwel gedecimeerd was dankzij de de subisdiekorting die de podiumkunsten zwaarder tro...

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