Amsterdam, 7 mei 2024 – Het culturele landschap bloeit weer op na de coronapandemie. Bezoekersaantallen stijgen bij musea, bioscopen, poppodia en theaters. En negen op de tien Nederlanders bezoekt jaarlijks één of meer culturele activiteiten. Dat blijkt uit nieuwe analyses van de Boekmanstichting voor de Cultuurmonitor waarbij onder meer gebruik is gemaakt van de Vrijetijdsomnibus 2022 van het CBS. Toch…
"The corona crisis exposes some weaknesses of the cultural and creative sector. In this most flexibilised sector of the economy, the flexible shell proved to be an easy austerity option during the corona crisis. As a result, self-employed workers have partly had to seek refuge outside the cultural and creative sector and may not return." What we already heard, saw and knew...
Of the 1910 self-employed people still working behind the scenes of the performing arts in 2019, only 1090 will be left in 2022. So what we suspected turns out to be true: technicians have gone up onto the roof to install solar panels and heat pumps, audience workers found a destination in healthcare. Although the Culture Monitor does not capture this migration, it is clear
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