The 2016 Autumn Consultation. This annual evening of debate around burning issues in the film industry revealed above all that the industry is far from being on the same page.
For one evening, EYE was all about virtual reality. What will remain of VR when the hype is gone we don't yet know. But maybe we will understand the phenomenon better if we stop comparing it to existing media like films or games.
Things have been rumbling in the film world for some time: Why is the silver screen so, er, white? And where are all the women anyway? #OscarsSoWhite but also #OscarIsADude! Many people in the industry have already expressed their displeasure at this. At the previous Oscar ceremony, actresses aimed their arrows at equal pay, or rather, the lack of it. This year, many an African-American actor and...
29th Cinekid children's film festival opens with new television drama for youngsters. In the Medialab, children can make their own VR glasses and do virtual bungy jumping.
How is Dutch film doing beyond its borders? Just before the Dutch Film Festival breaks loose, its big international brother in Toronto (TIFF) kicked off. Red carpets, big stars and ditto premieres. It may be slightly less well-known here than Cannes, but the TIFF is at least as important. For example, in the run-up to the Oscars. Not a bad thing, then...
Minister Jet Bussemaker's letter will keep tongues wagging for a long time to come. There are considerable gaps here and there between the Culture Council's advice and the minister's letter. Also in the field of film and media. A list of differences. Bussemaker notes that the film sector is changing considerably. Media consumption is changing due to the rapid rise...
I am an idealist, said Bero Beyer, the new director of the Rotterdam Film Festival at the Spring Consultation.
Film-making used to be a man's business. Men made films about men watching women - something like that. In 1975, film scholar Laura Mulvey launched the famous notion of 'The Male Gaze'. Last year, it resurfaced in the heated debate surrounding La vie d'Adèle, that wonderful film by Abdellatif Kechiche (male) about a lesbian love affair. So how about before? This year, IDFA has...
Scene 1 - Expectations The main hall of film theatre 't Hoogt was filled with people from the film sector on Wednesday afternoon at the invitation of the Film Fund. The subject of the meeting is the chronically low attendance of more artistic Dutch films. This has been the case for a long time, by the way, and not only in the Netherlands. Should new avenues be explored? Should expectations be...
9,000 euros was the amount with which Indian director Anup Singh's Qissa got off the ground a decade ago. That money came from the International Film Festival Rotterdam (IFFR) affiliated Hubert Bals Fund (HBF), which has been supporting filmmakers in developing countries for 25 years now. Last night, Qissa opened the 43rd edition of the Rotterdam festival. This makes the port city
world capital for independent film for ten days, as business director Janneke Starink stated at the opening in the Doelen.
Christmas saved the 2013 cinema year. While it seemed that cinema attendance was going nowhere at the beginning of December, the last three weeks of the year made up for a lot - thanks to Hobbit 2.
2013 closed with 30.8 million visitors, Wilco Wolfers, president of the Dutch Cinematography Federation announced at the cinema industry's New Year's meeting. Best-attended film
Are these the figures that will make it clear to Minister Kamp that incentives for the film industry really need to happen? That hope could be heard during the discussion of a report by Oxford Economics implemented research to the economic position of the Dutch film and av industry.
Is it because of the ice age? Is it a question of money or guts? Last night, the Amsterdam cinema Het Ketelhuis hosted the so-called Spring Consultation for the tenth time.
Yesterday, the long-awaited Film Summit was held. At this private meeting, ministers Bussemaker (OCW) and Kamp (Economic Affairs) met a large number of representatives of the film sector. The consultations covered
Perhaps expectations were simply too high at the premiere of George Sluizer's 19-year-old, and now completed Dark Blood. Because, of course, it is entirely appropriate that the Netherlands Film Festival has taken the opportunity for a fine retrospective of Sluizer, one of the Netherlands' most distinguished filmmakers with the world as its purview. Maker of the blood-curdling...
Where were the producers? On Tomorrow's Maker's Day, the Netherlands Film Festival screened 48 graduation films from the Film Academy and other art schools. So the hall should have been full of film producers to scout all that new talent, but no, exactly today the Film Fund had organised a meeting with those Dutch producers. Not so convenient. What did those...
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