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hip-hop

Death Grips is 20 min of breathtaking frenzy

The experimental hip-hop / noise band Death Grips plays frothy twang noise. But very exciting, interesting branch noise with paranoid, surreal lyrics. Live, it was a breath of fresh air. In their concert in Bittersweet (presented by Paradiso), vocalist MC Ride (Stefan Burnett) and drummer Zach Hill unleash a 20-minute hurricane of breathtaking fury.

Discussing the value of reviews in the night

We at culture press have nuanced views on reviewing. Once upon a time when there were only newspapers, reviews were fairly unique pieces of writing by people appointed by the newspaper to proclaim The View to its so many hundred thousand readers. Since then, those so many hundred thousand readers have become newspapers themselves, and so have about as many reviewers.

Pollesch and Hinrichs turn opening night The Choice into a theatrical philosophical happening #The International Choice

For the opening night of The International Choice, the Rotterdam Schouwburg was briefly transformed into Berlin's Volksbühne. The same black plastic rags on the walls, the same ugly yellow front curtain and - most strikingly - the seats in the auditorium have been replaced by white beanbags. Those beanbags, by the way, are widely despised and mocked in Berlin. They should... 

The Dodo revives for Holland Festival edition 2011 #HF11

This week the Holland Festival erupts and we are there. We are producing a Dodo Festival Day newspaper with a sizeable team of professional journalists, as we did before for Springdance and The International Choice of the Rotterdam Schouwburg, for example. We follow the festival closely to bring news as it happens. We go to see performances where others... 

You won't believe with your eyes what you hear with your ears with drum machine Savion Glover

"I don't care about the body, I make music," Savion Glover said last night, leaning against the doorframe of his dressing room after the performance Bare Soundz. The dance audience at Utrecht's Stadsschouwburg theatre struggled to master the mores of a jazz audience. As the concert progressed, it increasingly produced encouraging yells when the three tap dancers loosened up 

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