It is with concern that we see an increasing number of polarisation-inspired incidents in our houses and on our stages. Everyone, from creators to staff and audiences, should be safe inside our houses and on our stages. In doing so, even in this antagonistic time, there is no place for actions or intimidations motivated by...
Amsterdam, 12 September 2023 - The collective labour agreement for theatre and dance has been declared approved by both NAPK and Kunstenbond supporters. The collective agreement agreed on a general salary increase of 5% plus a flat-rate increase of €150. This salary increase means an average pay rise of 9.44%. On 6 July last, the Arts Union...
The VPT (Vereniging voor Podiumtechnologie), VSCD (Vereniging van Schouwburg- en Concertgebouwirecties) and NAPK (Nederlandse Associatie voor Podiumkunsten) are joining forces to publish a Dutch version of the Theatre Green Book. The reference work is being used in more and more countries within Europe to structurally shape the achievement of sustainability goals. In our sector, too, the...
The collective labour agreement social fund Omscholing Dansers Nederland (CAO ODN) has been declared universally binding by the Ministry of Social Affairs and Employment with effect from 1 January 2023. This means that all dance companies based in the Netherlands that employ dancers are obliged to participate in the omscholing scheme. Since 1986, Stichting Omscholing Dansers Nederland (hereinafter: omscholingsregeling) has played an important role in...
With its publication in the Government Gazette of 8 June 2022, the collective labour agreement for theatre and dance 2022-2023 has been declared universally binding (AVV). This means that all professional Dutch producers producing theatre and/or dance performances must apply this collective labour agreement for their staff. CLA parties Nederlandse Associatie voor Podiumkunsten (NAPK) and Kunstenbond applied for the AVV to regulate working conditions for the entire theatre and...
On Monday 16 May, the Safe on the Floor conference took place at Amare (The Hague). This conference was organised to address transgressive behaviour at the workplace in the cultural sector and discuss how to tackle it. The conference was opened by state secretary of culture and media Gunay Uslu. During the opening, NAPK board member Ernestine Comvalius presented...
The cultural field, like everyone else, is deeply shocked by developments in Ukraine. We are deeply concerned about the impact of the large-scale hostilities in Ukraine on the people of the country. To show solidarity and to express sympathy and support, the cultural field is organising the #♥rtforUkraine campaign next weekend 4, 5 and 6 March 2022 with...
From 1 July, more people will again be able to attend performances and cultural festivals. In theatres, cinemas and concert halls, a maximum of 30 people will no longer apply. From then on, the space will be leading instead of the number of visitors. However, basic rules such as 1.5 metres must be observed. In addition, a health check takes place beforehand, advance booking is necessary and...
'If we continue at the current rate, the fund will be exhausted in the foreseeable future.' This can be read in the 2018 annual report of the Performing Arts Social Fund. Plenty of reason to sound the alarm, indeed. Is this yet another victim of the cabinet's cuts? Not really, it turns out. When you look at the documents in detail, you see mainly that...
'Indecent and rude,' is how Miep van Diggelen, former chairman of the board of the Performing Arts Social Fund (SFPK), calls the actions of the board of that same fund. That board, or at least about five members of the seven-member board, decided - outside the official meeting - to withdraw a subsidy application they had initiated earlier, without having read it. The promising...
Less supply of subsidised art is good for the country. Antoinette Laan, culture spokeswoman for the governing VVD party, has thought so for at least eight years. Back in 2011, then still as alderman in Rotterdam, she stated that she did not understand why art institutions were open on weekdays. After all: everyone was at work then and so couldn't come and have a look anyway. Listen here...
For many a theatre lover, watching from the bench will be swearing in church. The atmosphere in the theatre and direct contact is missing. Totally true, and yet the advantages of sitting comfortably, watching when you want, subtitles and the on-demand W.C. break are also worth something. While enjoying a fireside chat, you're not looking at the back of anyone's head....
What happens when original and exciting makers and thinkers shape the SPOT-LIVE programme? If a leading philosopher, theatre-maker or musician is allowed to fill the stage with debate, what would it be about? If they were allowed to inspire you with work that touches them, what would they showcase? Get inspired by three curators who will share with you their views on...
Today, the Culture Council comes out with one of the weaker advices in its existence. The Netherlands' highest cultural advisory body showed vision, leadership and boldness earlier this season with the 'Verkenning' and the 'Sectoradvies Muziek'. The exploration called for a reversal of subsidy flows, with urban regions taking the initiative. In the advice for the music sector, it broke...
It succeeded. And that's even though we really didn't have a cent's worth of confidence left here. But still. It is there, in the financial section of the 'Confidence in the Future' coalition agreement: 'Intensification of 0.1 bln euros for the benefit of the cultural sector and historical democratic awareness. (RA_631)' That's 100 million euros, which is exactly what one of...
This week, two things already became clear about the Dutch theatre world. One: the topic of diversity is finally really on the map and two: the theatre world, however small, is hopelessly divided. During Het Theaterfestival, there were two debates/ meetings/ symposiums on the lack of diversity in theatre. One on Monday, the other on Thursday. Bit much in one...
Annet Lekkerkerker is one of the few women in the cultural sector for whom the glass ceiling is no longer an obstacle. That she is now, after several years as 'business director', formally becoming top woman of the country's most important performing arts festival is wonderful for more reasons. She is not only the first woman at that high position. Her appointment also makes clear why...
The NAPK (Dutch Association for the Performing Arts) is sounding the alarm bell for the performing arts. The association of employers in the performing arts is launching a petition today and submitting a second fire letter to the Lower House on 1 November. Earlier this year, NAPK already sent a letter to the Lower House. And that was then written about here. Now, in preparation for the Lower House debate on the culture budget, a second...
That 10 million is officially in. The art world is doing its best to sound grateful. The employers in the performing arts, gathered in the NAPK, have sent Bussemaker a thank you. Because she is not cutting 300 million from culture, but only 290 million. The extra money raked together last year by various lobbyists and parties is now anchored in the...
They totally agree with us, the employers in the performing arts sector. These company and theatre directors and other managers of dwindling coffers, gathered in the Dutch Association of Performing Arts (NAPK), are circulating a letter today, calling on the Lower House to review the system of subsidies. After all, now the middle class is falling between the cracks. Has happened before, and...
The Performing Arts Fund announced the awards for the 2017-2020 period. What does this mean for the dance sector? Pluralism and 'bleeding through'. While everyone is on holiday, the Performing Arts Fund announced the grant awards for the performing arts for the 2017-2020 period. And it was reiterated: the fund is facing a previously initiated budget cut of 30 per cent. That would...
Always nice when someone sets up a committee to solve all the problems. The Dutch theatre sector did just that a few months ago. Led by former minister Guusje Ter Horst, Rinda den Besten (former Utrecht alderman), Sadik Harchaoui (Forum) and Ryclef Rienstra (VandenEnde Foundation) examined what could be better in the relationship between theatre and the...
The distinguished part of the arts sector is also reacting furiously to the VVD's statements, chronicled by De Telegraaf this morning. This brings the number of reasons for the sector not to apologise to Halbe Zijlstra to six. Whereas we previously gave five reasons, the Dutch Association of Performing Arts now also declares that we are only in the course...
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