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talent development

Turning back the clock 26 years. Four questions and one answer on Bussemaker's letter

Jet Bussemaker is satisfied. For the next few years, there will be little whining about the subsidies under her regime. She states this in her letter this weekend. After all, the basis of the system is fixed: there are great museums, symphony orchestras, opera and theatre clubs whose subsidies are cast in concrete. Or rather carved from classical marble, because money gets you

Music school @uckutrecht spots trend: parents invest more in music education

Despite the crisis, parents invest eagerly and heavily in their offspring's musical development. This is the finding of the Utrecht Centre for the Arts (UCK). Their talent development programmes are running well. "Parents are now more consciously choosing to spend money on this than ever before. They also come along to lessons more often and let their children start at an increasingly younger age," says cello teacher Floris Dercksen.

Growth
Last Friday, Hart van Nederland broadcast an item on the sc...

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Baldwin Live

On Wednesday 1 August 2012, the Performing Arts Fund will announce the results of the lottery that granting arts subsidies has now become. Huge cuts are looming: companies and makers that by now seemed to be a permanent part of the Dutch arts landscape will disappear. So what exactly it will look like, we will officially only know from 12:00 on Wednesday 1 August. To leak things in advance makes no sense, things are too dramatic for that.
What we do want ...

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News summary: Children have nothing to do with free museums and opposition has effects of austerity calculated

Photo: The Press Opposition: have arts cuts calculated (...) These are cuts by the state, provinces and municipalities. The aim is to clarify how big the total cuts together are and what exactly will be the effects on supply and employment. (...) "With this request, we want to counter the politics of the short-term agenda. Good policy, including... 

'Conceptual thundering won't get you far in London': guest column Teunkie v.d. Sluijs

"I can fire anyone here. Except the actors." Sam Walters, artistic director of London production house the Orange Tree Theatre does not mince words. "Everyone in the office could leave. The directors too. But without actors no performance." The actor is unequivocally central to this theatre. As a director, you only prove yourself here when you get top performances out of your... 

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