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A mirror from the bench: 12 much-needed lessons for cultural marketers

Since the Amsterdam Uitmarkt is no longer run by the Uitburo but by a separate foundation, things have become a tad more commercial. The folder-fair-with-bands that has grown into the national opening of the cultural season in recent decades has to. The government has found art scary for a while now, usual suspects withdraw as sponsors, and malaise strikes.

So nice that an unexpected bank is getting involved. Emphatically not as a sponsor, as it is still a state bank, but still funny that ABN AMRO acts as a partner. Must be because of those brilliant act by their top man.

With the bank, businesses are also coming to Amsterdam. Hence, the Uitmarkt opens with a drink not filled with the Amsterdam art world, but with Amsterdam entrepreneurs enjoying the free cocktails. Because the opening drinks of the Uitmarkt were actually the closing drinks of the Uitmarkt Business Day. A meeting set up together with The Former Italic Bank between people from the business world and cultural entrepreneurs. It was instructive, and we're not saying that because the bank helped make our arrival possible.

Enfin.

From the meetings, speed dates, plenary sessions and drinks talk afterwards, we drew 12 essential lessons.

1: Listen to KLM

If you want a customer to pay more, you will also have to give that viewer more value. Make sure that 20 euros difference also gives at least 20 euros more experience. And remember that price has nothing to do with the costs you incur.

2: Don't listen to KLM

KLM does not fly empty coffins. KLM does not understand that a theatre hall that is only filled to 30% will still be played. "If you can see a year in advance that and performance won't sell out, you take it off the programme," he said.

3: Make it personal

Sometimes dropping by the local grocer and holding him accountable is much more effective. This applies to selling empty chairs, but also to crowdfunding. Someone who gives feels himself important. Because that person is also important.

4: Use your reputation

As much as personal contact with the creator and the special story of the project are the main reasons for people to get involved in something: remember that the support of a well-known institution or a few well-known companies is essential for crowdfunding to succeed. We like to give to Calimero, but prefer not to Woody Woodpecker.

5: Work together out of love, not necessity

Stijn Schoonderwoerd is a merger specialist by choice. He led the merger of most of the Volkenkundemuseums in the Netherlands in recent months, with the exception of Rotterdam. That Volkenkundemuseum is now a starred restaurant with ethnic decoration. The rest chose to merge. In that state-marriage, a love baby must be born. It can be done. According to Stijn.

6: Make up a headline before you write

Bloggers of the young and fresh Bloggers Network walked around blogging about what they were experiencing. Blogging tip from Grandpa: always start with the headline. Then the rest will follow naturally. We can be hired for advice.

7: Remember your sponsor

Still many sponsorship applications look like grant requests to a government. Companies are like people. So that you don't send around a copied pdf. But that you delve into the person who is going to keep you alive.

8: Sit in that chair yourself

Sit in the spectator's chair. Walk with her to your building. See how she informs herself, and what she values. It seems like old news. But it is not, judging by the eagerness with which the message was shared.

9: Mienskip

The Frisian input landed in silence. The man who (together with Jeffrey Meulman) had managed to promote Leeuwarden as Europe's cultural capital had done so by emphasising the Frisian population's high natural level of organisation. That goes beyond community spirit, and is richer than just an association life, we know from experience.

10: Fuck the rules

Edwin van Balken is director of the DeLaMartheatre. When he started, he had to sell 350,000 seats, and he wasn't going to succeed if he joined the regular theatre offer. There, performances are booked unseen two years in advance and he could not take that risk. So he decided to produce his own shows. As a result, he sold 500,000 seats last year, thanks in no small part, of course, to André Hazes. An additional advantage for Edwin: he could give all his shows a break. After all, spectators need to be fed and watered after an hour. Something he says modern companies don't like to do.

11: Save the arts

A whole day dedicated to selling, making money, making crowds, full houses and oh, yes, talent development too. You would almost forget we are talking about art. So make sure there are a few people left who dare and want to take risks. Otherwise, everything dies.

12: Become a member

We would love to keep telling about what is happening and not happening in the culture. Reward us. We can put it to good use. And members eventually earn along. After all, we are a cooperative. That's Mienskip in Frisian.

Courtesy of Bloggers Network, ABNAMRO Culture

Wijbrand Schaap

Cultural journalist since 1996. Worked as theatre critic, columnist and reporter for Algemeen Dagblad, Utrechts Nieuwsblad, Rotterdams Dagblad, Parool and regional newspapers through Associated Press Services. Interviews for TheaterMaker, Theatererkrant Magazine, Ons Erfdeel, Boekman. Podcast maker, likes to experiment with new media. Culture Press is called the brainchild I gave birth to in 2009. Life partner of Suzanne Brink roommate of Edje, Fonzie and Rufus. Search and find me on Mastodon.View Author posts

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