Less supply of subsidised art is good for the country. Antoinette Laan, culture spokeswoman for the governing VVD party, has thought so for at least eight years. Back in 2011, then still as alderman in Rotterdam, she stated that she did not understand why art institutions were open on weekdays. After all: everyone was at work then and so couldn't come and have a look anyway. Listen here...
That 10 million is officially in. The art world is doing its best to sound grateful. The employers in the performing arts, gathered in the NAPK, have sent Bussemaker a thank you. Because she is not cutting 300 million from culture, but only 290 million. The extra money raked together last year by various lobbyists and parties is now anchored in the...
'At the time, under the influence of the populists, we perhaps went too far in our attack on art subsidies.' So declared Jeroen Hatenboer, VVD member and culture alderman of the municipality of Enschede, during the annual Paradiso debate at the end of the Uitmarkt 2016. In the context of the current cabinet's sorry campaign, quite an interesting footnote, and entirely appropriate in the upcoming...
The Amsterdam Fund for the Arts would love a central 'vibrant dance venue' in Amsterdam. But surely such a Dance House has just been torpedoed? It was striking: in the Introduction to Dance to the grants awarded by the Amsterdam Fund for the Arts (AFK) for the 2017-2020 grant awards, they note an "ardent need" for a "dance house": a central place for development, production and the...
Diversity in the Amsterdam art world is not yet flourishing. The Amsterdam Fund for the Arts, which announced its grant awards today, is getting a bit tired of it: "Across most disciplines, committees note that cultural diversity of audiences, staff and governance is disappointing, as are efforts to change this. Outside specialised organisations for which cultural diversity is a core business, ambitions are still not high, despite two decades of cultural policy in this area. If the ambitions are there, organisations do not always manage to give them hands and feet. There often seems to be a certain discomfort or 'not knowing how'."
So to start with the good news: Marmoucha grows 398 per cent compared to the previous grant round. The capital's producer and promoter of performing arts in the field of North African and Middle Eastern arts and culture in the Netherlands was severely cut back in 2013, but the Amsterdam Fund for the Arts found its work over the past four years to be so good that the grant has been more than deserved. In the new round of awards which became known on 1 August they rise from 25,070 euros to a tonne, adding that perhaps they should not be so ambitious.
There is turmoil in the performing arts. This is because Culture Minister Jet Bussemaker has implemented a couple of motions from the opposition. The minister has also ignored the advice of the Council for Culture for a more balanced budget distribution. So, after much agitation on social media, we received a letter on Friday 28 August 2015. From the festivals, addressed to the minister,...
"Art is about personal development. It's not that Friday afternoon fiddling". Barbara Visser, artist and board member of the new Academy of Arts had an argument that was factual, and can be summarised briefly. We can attribute all sorts of things to art, but let's especially not. Learning about and experimenting with taste and creativity...
Since the Amsterdam Uitmarkt is no longer run by the Uitburo but by a separate foundation, things have become a tad more commercial. The folder-fair-with-bands that has become the national opening of the cultural season over the past decades has to. The government has found art scary for a while now, usual suspects are pulling out as sponsors, and malaise is hitting...
The dissolution of the Performing Arts Promotion Office continues to stir minds. So another piece, although we are actually supposed to be walking around the Uitmarkt to expensive advertising leaflets to sell.
Enfin.
Halbe Zijlstra is proud of his policy, and keen to come and tell it in front of the entire cultural sector. So on Sunday 26 August, he appeared on stage during the annual 'Paradiso Debate' to reiterate how well things had gone with the 200 million cut in the arts sector. He praised the resilience of the affected art world, and would be happy to do the same again.
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