The performance Trabe Dich, Thierlein by Graindelavoix has barely begun when the first protests sound, directed against the blinding light of a slowly rotating spotlight in the otherwise unlit Great Hall of TivoliVredenburg. Shortly afterwards, some visitors leave and gradually the trickle of runaways swells. But after more than an hour and a half, the stayers reward the Belgian ensemble with enthusiastic and warm applause. With such contrary productions, the Festival proves...
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