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A vital and pitiful procession: William Kentridge at EYE

With its latest retrospective If We Ever Get To Heaven, EYE again convincingly and confidently presents itself as a museum that looks beyond film history. Previous exhibitions such as Expanded Cinema, which showcased visual artists working at the intersection of film and art, have already shown this. Now the honour has fallen to William Kentridge with an exhibition of three works in which he also uses cinematographic means.

In a ...

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George Vermij

George Vermij is a cultural omnivore with a curious and critical eye. He studied art history and political science in Leiden and has an incurable film addiction. Besides Cultuurpers, he writes about film for Schokkend Nieuws, Gonzo Circus and In de bioscoop. For Tubelight, Metropolis M and Jegens & Tevens he writes about visual art.View Author posts

With its latest retrospective If We Ever Get To Heaven, EYE again convincingly and confidently presents itself as a museum that looks beyond film history. Previous exhibitions such as Expanded Cinema, which showcased visual artists working at the intersection of film and art, have already shown this. Now the honour has fallen to William Kentridge with an exhibition of three works in which he also uses cinematographic means.

In a ...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

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