It is a breath of fresh air that German director David Bösch has not given the libretto of Mozart's Le nozze di Figaro a postmodern twist, if necessary to showcase his own genius. No addicts, men in battle gear or cars tearing onto the stage at breakneck speed this time, just a straightforwardly told story. After all, Lorenzo da Ponte's plot is complicated enough. After the premiere Tuesday 6 September at the Stopera, cast and production teas...
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