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Dance festival closes with heady eroticism and fierce confrontation

The theme of this final day of the Moving Futures festival sounds and somewhat theoretical: self-reflection and cultural identity. But in the abundant programme, it becomes clear how directly these words touch everyone.
Macho Macho
This is immediately clear in Macho Macho by Bosnian-Dutch playwright Igor Vrebac. In it, two performers seek their way in a world of male ideal images. But from beneath their display of machismo, tough poses with their beautiful bodies, creeps ...

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Maarten Baanders

Free-lance arts journalist Leidsch Dagblad. Until June 2012 employee Marketing and PR at the LAKtheater in Leiden.View Author posts

The theme of this final day of the Moving Futures festival sounds and somewhat theoretical: self-reflection and cultural identity. But in the abundant programme, it becomes clear how directly these words touch everyone.
Macho Macho
This is immediately clear in Macho Macho by Bosnian-Dutch playwright Igor Vrebac. In it, two performers seek their way in a world of male ideal images. But from beneath their display of machismo, tough poses with their beautiful bodies, creeps ...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

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