Amsterdam is once again spoilt for choice with Julidans, an international festival packed with impressive dance. The second festival night features Child by Peeping Tom. The work of this Brussels-based company is a phenomenon and I am a fan of it. Ever since the dance trilogy at NDT1: The missing door (2013), The lost room (2015), The hidden floor (2017) (reviews below the links). Child completes the other trilogy that began with the heaven-shattering Father (crushing performance, 2015) and...
You can now log in to continue reading!
Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!
(Recent posts (under three months old) are available for all to read, thanks to our members!)
Become a member, or log in below:
English (UK) 
Nederlands 
Français 
You must be logged in to post a comment.