Skip to content

New resource for home-watching film buffs: Cinéart's Directors' Collection

Despite corona restrictions, arthouse lovers were not on a dry run recently. Several titles had their Dutch premiere online. Like, for instance, The Human Voice, the latest production by Spain's leading director Pedro Almodóvar.

I do not mention this fine adaptation of Jean Cocteau's famous monologue of a wounded woman (here Tilda Swinton) by chance. Almodóvar's almost complete collected work is also the eye-catcher of the recently launched Di...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

Leo Bankersen

Leo Bankersen has been writing about film since Chinatown and Night of the Living Dead. Reviewed as a freelance film journalist for the GPD for a long time. Is now, among other things, one of the regular contributors to De Filmkrant. Likes to break a lance for children's films, documentaries and films from non-Western countries. Other specialities: digital issues and film education.View Author posts

Despite corona restrictions, arthouse lovers were not on a dry run recently. Several titles had their Dutch premiere online. Like, for instance, The Human Voice, the latest production by Spain's leading director Pedro Almodóvar.

I do not mention this fine adaptation of Jean Cocteau's famous monologue of a wounded woman (here Tilda Swinton) by chance. Almodóvar's almost complete collected work is also the eye-catcher of the recently launched Di...

You can now log in to continue reading!

Welcome to the Culture Press archive! As a member, you have access to all, over 4,000 posts we have made since our inception in 2009!

(Recent posts (under three months old) are available for all to read, thanks to our members!)

Become a member, or log in below:

en_GBEnglish (UK)