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Helen Westerik

Helen Westerik is a film historian and great lover of experimental films. She teaches film history and researches the body in art.

Theatre innovators in the museum: a journey through the minds of Ivo van Hove and Jan Versweyveld

Theatre and film have close ties. Many classic plays have been filmed. One of the merits of Ivo van Hove and Jan Versweyveld is that they have reversed that relationship. Film as the starting point for their performances. Their radically innovative work is the starting point for the exhibitions - designed by themselves - about theatre about film about theatre. In 13 venues... 

Angels of Amsterdam convinces with 4 centuries of women's lives

If you get the urge to run your finger through the candle flame for a moment, then a VR installation is already almost successful. Not just because of the technical feat, but also because it convinces as a place to bivouac for half an hour. I am standing at the bar of a seventeenth-century Amsterdam pub. There are murmurs, music, a bartender who is... 

Dance history in action - Dance On Ensemble performs iconic works, with contemporary responses

That Julidans is experiencing a strong edition was actually already evident with the bold and delightful opening night. That performance invited you to think about what dance is. Making Dances - Dancing Replies makes you ponder the same question, but in a very different way. Dance On Ensemble, the Berlin-based company with dancers over 40, performed works by... 

The bizarre world of Euripides Laskaridis - Julidans opens with guts

After a year of forced inactivity, Julidans kicked off yesterday under the slogan Never Stop Dancing. And so do the wondrous creatures that populate Elenit, the opening night in the hands of Euripides Laskaridis. His Elenit is a universe of grotesque and sometimes endearing characters held hostage by a huge windmill on stage. Against their will, they carry on, or... 

Learning and moving: The Planet, a lament by Garin Nugroho. #HF21

Some art you don't quite understand, but touches you deeply. Paradjanov's films, for instance, or The Planet, a Lament by Garin Nugroho. Nugroho has chosen not to provide his performance with surtitles, so your rational brain has to be sidetracked for a while. What are they singing, what exactly is happening, what is it about? After a few minutes of this same... 

Unheimlich and intriguing: Kindertotenlieder by Gisèle Vienne #HF21

A boy is a guest at his own funeral where a black metal band is playing a funeral concert. The killer, his best friend, is also there, along with anonymous black metal fans. The light is harsh, there is snow on the ground. To the right at the side of the stage, a wall has been built with crates of beer, to the left is what I am in... 

Catharsis under the Christmas tree - the 5 best films to end this terrible year with

Especially in a bizarre year like this, I need hot films: classics, found footage or children's film, all are allowed. As long as it deals with big emotions or offers the perfect escapism. Like every year, there is plenty to enjoy on TV. Not like every year, there is no option to seek refuge elsewhere, but streaming offers the solution. Five tips to get through Christmas.

Traveling While Black grabs you by the throat

Traveling While Black touches you deeply and that is exactly the intention. The 20-minute or so Virtual reality film immerses you in the history of institutional racism in the US and especially what it does to people. The location is Ben's Chili Bowl in Washington DC*. We sit at a table in a classic diner with people... 

Holland Festival opens online with Memories of my body. About the body as a battlefield

In the pre-corona world, Garin Nugroho would open the Holland Festival with his performance The Planet - A Lament. It would no doubt have been as impressive an experience as his Setan Jawa staged in 2017. We would be enchanted by his dancers and purified by the story. In the stripped-down online version of the Holland... 

Dancing in times of Corona: all you need is yourself and a chair and a closet.

We are now a good month after the start of the intelligent lockdown. Slowly, a new normal is beginning to emerge, where we are no longer exclusively fanatically following all the tweets about corona. The concerns are still there and certainly where the cultural sector is concerned. The entire sector, nationally and internationally, is engaged in the titanic task of keeping the public... 

Podcast in times of Corona (9): Cinedans goes online, but for the festival feel we have to wait until next year.

We spoke to Andreas Hannes about the cancellation of Cinedans 2020. As a programmer, how do you deal with cancelling a festival you've spent a whole year working on? How do you still retain some of the sense of community that is so important to a festival when you are only online? For now, the festival will not go into the existing... 

Cinedans 2020: the digital edition

Cinedans, the festival for dance and film, was supposed to open 25 March and be the hub for dance film, as well as workshops and discussions, until 29 March. Obviously, this cannot continue. The festival will not be postponed but cancelled this year. An alternative that should ease the pain a little for this year is a nice and varied offering of short and... 

A morale boost for when you're feeling down. Top 5 indie film streams from a true fan

Last week, my in-box and my social media feed were full of cancellations. Screenings, film festivals and museums: everything I was looking forward to or contributing to was cancelled or shelved. Understandable and sensible. But also maddening, and a loss of income for me and many others in the cultural sector. Still, there are things that... 

Alice in Wonderland as Virtual Reality theatre: can I stay down the rabbit hole for a while?

Sometimes you see something and only realise on the bike back how special it was. Wait a minute, the white rabbit was talking back? Humpty Dumpty was worried that I did catch it? Not only did I watch a Virtual Reality (VR) installation today, the installation looked back! Never before have I experienced a VR work in which I... 

When was the last time I hopped? Eye impresses with Francis Alÿs' expo on the world as child's play

An exhibition with only children playing, doesn't that quickly become too tacky or cosy? Not if the artist is Francis Alÿs. Although it is hard not to smile at the sight of a sandcastle, I left the room with a head full of questions about the nature of humanity. No small feat of hopscotching kids and girls 

"'Well nice' is not good enough, that falls right off." Film critic Jan Pieter Ekker on possibly the last Directors' Forum at the Dutch Film Festival

The Dutch Film Festival is about to erupt. A spacious week with a broad overview of everything moving on Dutch screens, from public film to short student film. Last year was noisy: directors, editors and cameramen expressed gloom about the quality and guts of patriotic film. Visitor numbers don't seem to be overblown either, although... 

'There's a limit to crowdfunding, you can only do it twice' - Growing pains of the dance film, part 2

The dance film occupies a unique place among the film offerings. Not driven purely by psychologising or text, it offers every opportunity for experimentation in form and content. But that also means it is difficult to place. And therefore difficult to make. The second part on the growing pains of the dance film features 2 dancers and performance artist.... 

Why the most artistic film genre struggles to get off the ground. The growing pains of the dance film, part 1.

There is a lot of grumbling about Dutch cinema: it is too good, not creative enough, there is not enough experimentation. However, there is one small island where other laws apply. Where, sometimes with hefty budgets and sometimes for next to nothing, films are made that speak a different language: the dance film. No psychologising, no endless dialogue, but... 

She became famous for things she didn't want. Doris Day may have been bigger than we think

My generation probably immediately gets the famous Doe Maar song in its head at Doris Day's obituary. There is no ball on TV, only a film with Doris Day. And you really didn't want that, your mother's goody-goody heroine. The wholesome star with whom you think of a glass of milk rather than wild... 

Floating with sea legs through a 600-metre tower: Das Totale Tanz Theater celebrates 100 years of Bauhaus

Some 400 virtual metres we go up with the dancers. Beforehand, we are warned to look straight ahead if we are afraid of heights. For me, this was unnecessary, I loved flying along in the huge circular space, knowing I was safely ensconced in a chair. Choreography, avatars, architecture and Blixa Bargeld. Those are a few... 

'Stories are not that fascinating, it's what you see that matters' - Tsai Ming Liang and the art of watching

Eye film museum kicks off its Virtual Reality season with Tsai Ming Liang's The Deserted. Tsai himself was in the country for a masterclass, introductions and interviews. And although his films suggest otherwise, he is a very animated speaker. In his masterclass, he talked about his career, his collaboration with muse and regular actor Lee Kang-Sheng, and his position... 

How do you film a hero? A quest in 3 parts.

How do you make a beautiful and personal documentary about a hero? And what if your hero is a filmmaker and has already made beautiful footage himself? How free can you be with your subject matter? For a long time, my problem with IDFA has been that the documentaries are so well behaved, so focused on the subject and not on the medium itself. In... 

DocLab 2018: improve the world, put on VR glasses.

Slowly but surely, the very latest in virtual reality (VR) is finished and we can start thinking about what you want to show, rather than how. Whereas at the first VR festival I still got whooping headaches from bad glasses, now I can be mesmerised by the beauty of the Amazon or beautiful animations. Movie theatres like Eye... 

Fritz Lang vs George Benjamin at @hollandfestival: a fresh tired death.

The Holland festival has a tradition of combining film with live music. Whether it's the post-punk band Mogwai at Mark Cousins' Atomic Cinema or a live accompaniment to a silent film, something magical usually happens. That was certainly the case at the screening of Fritz Lang's Der Müde Tod (1921), accompanied by composer in... 

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