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ACTUAL

All about politics, policy, society and how those things relate to culture and art.

Ebook sales give publishers knowledge they would rather not have

We already noticed it in the daily twitter stream: when it comes to book reviews on twitter, the 'low' genres (at least according to connoisseurs) dominate the charts: fantasy, diaries of disease sufferers, 'regional work', howto's and erotica. No news, you may say, but there is more to it.

What exactly is going on at Stage Entertainment?

Last month, it was announced that Erwin van Lambaart, once brought in as heir apparent to his company Stage Entertainment by Joop van den Ende, is leaving as CCO 'to spend more time with his family'. Last week, a press release appeared in which the group reported that it had signed a so-called €75 million club deal with ABN-AMRO and ING.

Fact-free journalism plunges into arts sector.

    According to the Volkskrant, Rick van der Ploeg was state secretary of culture in the early 1990s (in reality, he was at the end of those years), and in Het Parool columnist Gerard Mulder claims that the fact that he "fortunately knows nothing about art subsidies" need not deter him from some wild speculations... 

IFFR 2012: Raw and sensitive Serbian debut awarded twice

Smiling, she lets a boy film her with his mobile phone and she happily wriggles into lascivious curves in the process. But when he really wants to see her breasts she flinches. Yet later she will go much, much further and she gets staggeringly little in return. Jasna, the rebellious protagonist from Cliff (Clip), is a Serbian teen... 

Top or flop: audience picks repertoire first theatre company in the Netherlands

We got another press release, and wondered: top or flop? How does quirky artistry rhyme with audience-determined repertoire choice? Andne: do all those people who chose the winning piece also get a free-or at least discounted-ticket to the performance of their choice? Andne: who checks the results, as there is no notary. Enne:. 

IFFR 2012 - Sobering report from Egypt hit with festival audience

That Martin Scorsese's mesmerising Hugo was number one in the audience rating for a while at the Rotterdam festival is not so surprising. What is surprising, however, is the film that emerged as number two yesterday and has now ousted Hugo from first place: the documentary Back to the Square in which filmmaker Petr Lom looks at how things stand in Egypt after the... 

IFFR 2012 - A small miracle in 3D

Last night, Rotterdam festival-goers in Pathé's Hall 4 witnessed a small miracle. Some film fragments from 1906 by the legendary Georges Méliès were now shown in stereoscopic 3D for the first time. So that you could, as it were, imagine yourself present on the set of this French pioneer who was the first to understand that cinema is not there... 

41st International Film Festival Rotterdam opens with disturbing French drama 38 Témoins

Compared to previous editions, you could almost call the choice of opening film that kicks off the Rotterdam Film Festival tonight almost un-Rotterdamian. No wild young debut, exotic Asian or artistic crossover this time. The French book adaptation 38 Témoins, which has its world premiere in Rotterdam tonight, is the seventh feature by Walloon actor/director Lucas Belvaux and has already been acquired... 

Column: Staat van Verwenning door Patrick van der Hijden, de opening van het debat Burger King & Burgerschap

In het debat Burger King & Burgerschap geven Patrick van der HijdenDavid van Reybrouck, Chris Keulemans and Samuel Vriezen hun visie op de staat van de burger. Publiek mag, maar hoeft niet, meedoen. Hieronder de column Staat van Verwenning, voorgedragen door Patrick van der Hijden – als aftrap voor het debat.

“Ons leven is in de achttiende eeuw uitgevonden.

De leden van de hogere klassen – de elite – hadden een eigen huis, vaak met tuin. Ze stuurden hun kinderen naar school en die begonnen daarna een vervolgopleiding. Ze hadden vrije tijd en kwamen over het algemeen op tijd op hun afspraken, door de horloges die ze droegen en de trekschuiten die op tijd vertrokken (ze klaagden bij vertraging). Burgers die buiten de stad woonden, forensden – met de koets, dat wel. Ze dronken koffie om wakker te blijven. Ze bezochten restaurants met menukaarten. Ze werden ingeënt tegen de pokken en hadden huisdieren. Een geweldige bron over dat leven vormt het dagboek van Otto van Eck, die daar op tienjarige leeftijd onder druk van zijn door de Verlichting bezielde ouders aan begon, in 1791. Daar ontleen ik bovenstaande voorbeelden aan.

Dit leven wordt aan het begin van de eenentwintigste eeuw niet door een kleine minderheid geleefd, maar door een groot deel van de Nederlanders. Die moeten het wel zonder personeel doen. Dat is namelijk vervangen door technologie.

In How to be a dictator in Africa zijn schrijvers Helon Habila en Dinaw Mengestu opvallend positief over de toekomst van hun continent, ondanks de bedenkingen van David van Reybrouck en moderator Andrew Makkinga.

Dinaw Mengestu deelt zijn achternaam met de voornaam van één van Ethiopië gewezen dictators. “Vooralsnog ben ik schrijver, maar aspireer een carrière als dictator.” Dictators ontstaan niet in een vacuüm, stelt Mengestu. “Wij als burgers scheppen onze leiders.” In zijn voorgedragen verhaal geven de burgers al hun dromen uit handen. Ze schuiven al hun verantwoordelijkheid af richting de machthebbers. En… 

Dutch pot for world writers

Sweet and quite tasty, although some of the guests said they were less enamoured with the stew with gravy that the Haagse Hapjes had prepared for them. Most guests would have preferred a bit more spice with their welcome meal. Tonight, Africa is on the menu. The local pepper farmer must be having a party because of increased sales, we suspect.

There it is: the final legislative amendment deciding the future of 16,500 FTEs and thousands of self-employed people

We do not have much to comment on Halbe Zijlstra's explanation. Other than that the state secretary of formerly culture breathes an almost legible sigh of relief now that he can almost close the 'arts' headache file. His "masterpiece", the amendment to the Specific Cultural Policy Act, is before the chamber and if it is approved (hammer piece), the state secretary does not really need to do anything more.

Woldhek receives Inktspot Prize 2011 for state portrait Henk Bleker

"A beautifully drawn portrait, sublimely expressing a mixture of cunning, intransigence and power-seeking, Implicitly and without text." So says the Inktspot Prize jury about the drawing Sigfried Woldhek made for the NRC of 30 March 2011. Pictured is Henk Bleker, former CDA party leader candidate and state secretary for former nature. Woldhek, who has been... 

The Broadway visitor: lily-white, woman, loyal and well above the Balkenende norm

These are data that somehow do not make the press here, because they are about America, which is not in the Netherlands. Still, it is interesting to take a closer look at the composition of the audience on Broadway. After all, that is where, in the wet dreams of VVD/PVV celebrities like Bart @deliefde and @halbezijlstra, the future of... 

Not two, but only one cultural major in 2010, and none in 2011

That was a bit of a shock for culture lovers in Utrecht and beyond. the dear youth theatre house Het Lab turned out to have an artistic director with an annual salary of 214,975 euros. A salary that made him equal to the dozens of air traffic controllers, medical specialists and broadcasting staff who all earn far more than the Balkenende norm (193,000 euros a year, including pension). But no. The ever amiable... 

Enorme groei van de Chinese kunstmarkt doet vrezen voor kwaliteitsverlies (follow-up)

We berichtten vorige week al over de enorme Chinese kunstmarkt, die zo hard groeit dat er volgens ingewijden sprake is van een op springen staande luchtbel. Maar, voordat de markt instort omdat rijke investeerders een andere hobby bedenken, zou die nog sneller kunnen klappen omdat de kunst aan kwaliteit verliest. Dit dreigt vooral te gebeuren met de werken van de… 

Chinese growth is changing the art market faster and more radically than we realise

They made the better Bordeaux wines unaffordable, and in Southeast Asia, record amounts are being paid down daily for Western modern and antique art. Chinese collectors and speculators now determine what counts and what does not in the art world. Latest development: they are discovering their own artists. Meanwhile, for a painting like 'Eagle Standing on a Pine Tree' from 1946 by self-taught artist Qi Bashi, more... 

WWIK transitional regime until 1 July 2012: The grinding of De Kroms teeth echoes to the smallest municipality

The art sector's victory over government policy will last until 1 July 2012. Until then, a transitional scheme applies to artists who were eligible for WWIK benefits until 1 January 2012. This is because this highly successful scheme, which gives artists a chance to build a profitable professional practice at an amount of 70% of the welfare level, had been abolished by... 

This Cherry Garden by theatre group Keesen&Co is even much better than it looks anyway

The good man himself lived to be barely 44. But on his deathbed, he thus wrote a play for which you have to be at least well over 50 and have experienced a lot if you want to do it justice as a director. So we are talking about Anton Chekhov and The Cherry Garden. And about Willlibrord Keesen, who, in his now third... 

Thunder or a minor storm in the Gouda Glasses? You may say

We received a letter on legs from Wim de Groot a while ago. Now we often get letters in paws, but here something seemed to be going on. Trouble of course because sorting it out takes time and money and that wasn't there for a while. (Look out for the donor campaign we are about to launch) But still. What's wrong with it? Wim de... 

Theatre photography in the spotlight at small Amsterdam gallery

Theatre photographs are a profession in their own right. From an already staged subject, the professional photographer chooses the catchiest image. There are those who look down on them for that reason, there are those who admire the theatre photographer for that very reason. We are naturally more inclined towards the latter. But the profession is under pressure. From smartphones, from buyers who have no space and no money... 

There is no Facebooking about taste. Harvard: only classical music and jazz preferences are transferable in social networks

Voor sommigen leken sociale media dé oplossing voor de manier waarop bedrijven hun waar aan de man kunnen brengen. Je verkoopt iets aan één persoon, en die persoon vertelt zijn goede ervaringen door in zijn of haar sociale netwerk. Zo zou je met relatief weinig inspanning veel mensen kunnen beïnvloeden. Niet dus. Vriendennetwerken op facebook zijn nauwelijks geïnteresseerd elkaars smaak.… 

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