Earlier this year, Cinekid was in danger of dropping out of the basic cultural infrastructure due to a 'no, unless' advice from the Culture Council. An updated application has now changed the Council's mind. If the minister adopts it, Cinekid can go full steam ahead for four years. An interview with Cinekid director Heleen Rouw.
In its advice for the BIS period 2021-2024, the Council for Culture strongly criticises Cinekid. What does director Heleen Rouw think of this?
From February 2020, Vanja Kaludjercic will succeed Bero Beyer as festival director of the International Film Festival Rotterdam.
The Cinekid youth film festival opens this week with Binti, a catchy, highly topical youth film brimming with optimism. That sounds good, because optimism is what the Dutch youth film can use right now. Too bad, then, that Binti, about a girl from Congo who does everything in her power to be allowed to stay in Belgium with her father, is a largely Belgian production....
I described here earlier that Dutch animation film is on the rise. And as I look around the animation festival in Annecy, France, this week, it seems nice to see how our animation filmmakers and producers are presenting themselves here. Especially since Annecy is considered the most important event worldwide in this sector. 'The Cannes of animation' I hear...
IDFA 2018 is a great opportunity to take a look at what you can do with documentary in film education. Documentaries can resonate very well with children, is the experience of Meike Statema, head of education at IDFA.
Until now, film education has mostly been a grab bag of initiatives. But now that the minister mentions it in her policy plan and extra money has been allocated, new steps can be taken. Towards a permanent place in the classroom? We ask Florine Wiebenga, head of education Eye, and Jeroen Stultiens, Film Teacher of the Year.
Cinekid also addresses gender balance and the imagination of boys and girls. A hotly debated issue on which the last word has not yet been said.
The cheerful Dutch children's film Owl's Ball opens Cinekid, the film, television and new media festival for children and professionals. This 30th edition is the last under the leadership of director Sannette Naeyé.
Diversity in the Amsterdam art world is not yet flourishing. The Amsterdam Fund for the Arts, which announced its grant awards today, is getting a bit tired of it: "Across most disciplines, committees note that cultural diversity of audiences, staff and governance is disappointing, as are efforts to change this. Outside specialised organisations for which cultural diversity is a core business, ambitions are still not high, despite two decades of cultural policy in this area. If the ambitions are there, organisations do not always manage to give them hands and feet. There often seems to be a certain discomfort or 'not knowing how'."
So to start with the good news: Marmoucha grows 398 per cent compared to the previous grant round. The capital's producer and promoter of performing arts in the field of North African and Middle Eastern arts and culture in the Netherlands was severely cut back in 2013, but the Amsterdam Fund for the Arts found its work over the past four years to be so good that the grant has been more than deserved. In the new round of awards which became known on 1 August they rise from 25,070 euros to a tonne, adding that perhaps they should not be so ambitious.
The Lower House caused serious problems for culture in the Netherlands a few weeks back. In a noble attempt to save a few festivals and a youth theatre, SP, D66, CDA and PvdA caused chaos. They passed a motion instructing our culture minister to still set aside money for a few festivals and an extra...
Virtual reality will be the new hype next year, we are promised. A sneak preview could already be enjoyed at an Amsterdam pop-up cinema.
Apetrots they are, the MPs Jacques Monasch, Jasper van Dijk, Mona Keijzer and Alexander Pechtold. After all, they saved a youth theatre company and managed to add a few festivals to the basic cultural infrastructure of the Netherlands. In addition, they have also already earmarked an amount for some other festivals. Yesterday, the motions from the June debate were put to a vote. Almost...
The Cinekid children's film festival announced the winners on Thursday. The real-life French teen film Le Nouveau was awarded double.
29th Cinekid children's film festival opens with new television drama for youngsters. In the Medialab, children can make their own VR glasses and do virtual bungy jumping.
It is rare for the same film to receive both jury and (children's) audience awards at the Cinekid festival. But about the subtle and sparkling French animated film Ernest et Célestine everyone agreed this time. This story based on picture books by Belgian illustrator Gabrielle Vincent, who died in 2000, won a double award, making it this year's big winner. Ernest and Célestine are a bear and a mouse who have to find that their friendship is poorly understood in the bear and mouse world.
Johan Nijenhuis' Foeksia de miniheks has become the big audience favourite of Cinekid, the festival for film, television and new media for young people. Friday evening, it was announced at the awards ceremony that Foeksia had won both the general audience award (Z@pp Cinekid Lion) and the audience award for best Dutch children's film. Foeksia the Mini-Witch, based on the book of the same name by Paul van Z...
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